A tarefa de existir agora é contornar a liquidez de uma atmosfera circundante: ensaio aberto

Abstract

This paper aims to reflect on the dance (de)composition processes, which generated written and scribbled materials, as well as a scenic experiment entitled A Tarefa de Existir Agora é Contornar a Liquidez de uma Atmosfera Circundante, presented as an open rehearsal on December 13, 2022, at the Sala Nadir Papi Saboya in the Theatro José de Alencar. The core of this research is to think about the creation process as a spiral of ideas, images, and movements that appear and disappear, dissolve and condense in this atmosphere that is the artistic expression, which confuses with life/living itself. Therefore, the notion of movement’s textures studied by the dancer and choreographer Juliana Morais (GONÇALVES, 2018) points out possibilities of accessing creation devices from a logic coming from sensations, allowing to expand the perception of the body to the new contours that arise depending on the spatial, temporal, physical, physiological, and existential circumstances that cross the artist. The inseparability between spectacle and training, artistic work and task, artistic process and product, surrounds this research that (non)exists between meanders of assembling, sketching, shaking, laughing...