Pedaços manifestos: Composições e decomposições de um corpo pardo Vídeo Manifesto + Relato do processo de criação

Abstract

The manifesto tone is the keynote of this work, composed of two creations. One of them is the writing of an autobiographical manifesto, with questions on discourses of visibility and invisibility that cross the body of a Brazilian woman, artist and who, very recently, realized that her tone of brown skin comes from its indigenous heredity in Ceará. What pieces of Brazil inhabit me? Which pieces do I identify with? What stories make me up? With the restrictions imposed by the Coronavirus/Covid-19 pandemic, it was possible realize how the colonial logic about bodies and nature threatens community life. In the knowledge of the land there is a possible wisdom to do facing the extractive logic that inhabits our subjectivities (KRENAK, 2019; ROLNIK, 2018; ALEGRE, 1992/93). Thus, the manifest text expands to the format of a video-manifesto, with the collaboration of dance artists, people brown and black women who feel racial, gender and/or related issues in their own skin. to ancestral knowledge and who wish to tell our history of Brazil through the version of those who had their speeches made invisible. we manifest our pieces from Brazil.