Cosmosensoriologia: rotas para uma metodologia fugitiva em artes

Abstract

This article explores what I call Cosmosensoriology as a methodology with the sensible in which the sensitive world is free of the macropolitical frameworks that imprison the sensations to the representative contours of the scientific and esthetic methods, escaping as well the micropolitical fetish that bars the potency of desire as reduced by the experimentation of worlds to the spheres of modern colonial subjectivity. The routes defined by me encounter with the contingency lines of Gloria Anzaldúa’s poetics, being contaminated, among others, with the fugitive knowledge of Fred Moten and Stefano Harney, with the imaginative sociology of Avery Gordon, and haunted by the cartographies of the terror of the anticolonial landscapes of Achille Mbembe, Frantz Fanon, and Gayatri Spivak.