Por uma poética do convívio: a experiência a partir das obras trilogia, contágio e peça para dias de chuva

Abstract

This research is about the creative process among three works: Trilogia, Contágio and Peça para dias de chuva. Along his way as a student of the course Teatro-Licenciatura at Universidade Federal do Ceará, the scholar discusses about his failures and successes as an artist within the cities of Recife and Fortaleza and investigates the thematic relations among his works in terms of failure, collapse and contagion as a political power for sharing and socializing. This work starts as a self-writing process but leads to comprehending the making of art as a powerful micropolitics to question its own place in the contemporaneity. The discussions are based upon some theoretical concepts such as the notion of “lacerated artist” (AGAMBEN, 2012), the marks of existence face to the neoliberal geopolitics (ROLNIK, 1993; 2006) and the theatrical sharing and socializing (DUBATTI, 2006). Furthermore, the study raises a debate about the narcisism and the self-devouring face in the pictorial representation contrasting with the antropophagic face and the “anyface” as in Agamben (2013).