Um estudo sobre o desenvolvimento de figurino pela óptica do metaprojeto

Abstract

The costume today is a product for the performing arts market whose development methodologies are still predominantly personalized. There is not yet an axis that serves as a project guide and that takes into account the specificities of each artistic language. In this sense, this work presents a study on the relations of methods of creation in costumes in the areas of theater, dance and cinema, from a perspective of the design field, more precisely from the concepts of metaproject. To this end, a brief history of the stage costume in the West and its theories of creative support was carried out, as well as some methods of creation in costumes in different areas were described. A summary of the main topics of the meta-project was prepared based on the views of the author Dijon de Moraes. The methodology for the development of the work was based on bibliographic and documentary research and a comparative analysis was carried out using the method of participant observation as a working instrument. In this way it was possible to establish, through comparison and regrouping of metaprojective packages, some specific knowledge packages for the development of costumes. As a conclusion, it can be said that, from the discovery of these packages, it was possible to relate them to the metaproject and its possibilities of theoretical usability.