O dispositivo e seus processo: análise dos filmes 33 e filmefobia e seus diários de campo

Abstract

This research analyzes the movies 33(2003) and Filmefobia (2009), directed by Brazilian filmmaker Kiko Goifman. The movies were studied from their cinematographic perspective and narratives, seeking to indentify how act the appartus developed by the director and its relationship with the creative process. From an explanation about the concept of apparatus in cinema, is traced its relationship to contemporary Brazilian documentaries and narrative questions. Within these apparatus, it works also with the notion of criticism of the creative process, focusing on the analysis of the filming journals. Through analysis of the films, the aim is to understand how is the construction of the apparatus in the documentaries in question, their action parameters and their relationship with the creative process. This research works with the methodology of film analysis and criticism of the process.