Design de som para animação: a construção de um método de sonorização a partir do estudo de caso da série animada Astrobaldo

Abstract

In modern times, where conditions for the creation of new audiovisual productions are increasingly accessible, a growing number of new producers have been appearing in the field of sound editing. However, in spite of the many techniques developed throughout history, for those who are now entering this market, thinking about how to put together a project for creating and editing sound can still be an arduous task. Realizing a difficulty in finding studies on how sound has been constructed in current animations, this work aimed to develop a sound reproduction method for cartoons. This, in turn, was structured in a four stage-processs: Pre Production, Production, Post Production and Quality Control. The proposed methodology was established based on the case study of the sounding of the Brazilian animation Astrobaldo and was based on the works of researchers such as Robin Beauchamp, Michel Chion and Carlos Abbate.