Heidegger e a transformação do pensamento: pensar com a serenidade, a arte e a poesia

Abstract

This thesis has as its purpose to unveil the thought transformation in Martin Heidegger’s philosophy. The importance of this question arises when the german thinker seeks to overcome the subject and starts from human existence until he reaches the thinking poetizing. To support this idea, we presente that serenity, art and poetry are relevant concepts in face of technics proceedings, calculating model and modern sciences. It is only possible to transform our thinking throught a critic about the misunderstandings in which the process of knowledge are sustained. The phenomenological-hermeneutic method is adopted since the expropriation of a representative model enables a leap of consciousness to Dasein, who has the ability to understanding, philosophising and asking for the sense of being. In this framework, Heidegger rescues the technique in its original sense of knowing instead of a way to domain elements of the world, just as the modern sciences are questioned in face of the urgency of being’s thought. Therefore, we confront the calculating thinking, which is quite significantly in the age of world picture, and meditative thinking, forming an origin of thought that abstains itself from the control of the world and whose highest expression is the serenity. With this concepts, we investigate how the review of modern aesthetics appears as a model for the meditative thinking and then how art realizes the unconcealment of being’s truth. Heidegger asserts that art is poiesis and, to support his theory, this concept is discussed from its greek origin of establishment to reach poetry in its literary meaning. When asks for the meaning of the being, the poetry is thoughtful because it is a creative awakening of the truth. Throught these central ideas we conquer the thinking poetizing, which is the more meaningful thought transformation.