Presença de Anitta: concepções sobre empoderamento e liberdade sexual como forma de resistência feminista nas letras de Anitta.

Abstract

This work consists of a qualitative study, was carried out on the conceptions of woman and the feminine behavior from the content of the musical lyrics of the singer and composer Anitta. Thus, this study has as main objective to analyze the conceptions of woman presented in the lyrics of the Brazilian composer Anitta. We also aim to: identify conceptions of woman and female behavior presented in the lyrics of composer Anitta and; To perceive the historical conditions of production of the feminine and feminine understandings diffused by the analyzed songs. As a bibliographical reference, we carry out a historical rescue of the theory, since it helps us to understand the construction of what it is to be a woman through the centuries and how certain artistic manifestations can subvert the place given to women in our culture. For the selection of the songs to be analyzed, we listened to all the albums of the author and selected, among the songs, those that treated most the issue of sexual freedom. As a tool for analyzing and producing data, we use Content Analysis, more specifically Expression Analysis, because we consider that it would enable us to understand the content addressed from its socio-historical context. As results, we observed that the attitudes and speeches of the figure of Anitta can be understood as subversive and contribute to women's awareness regarding the oppression founded by patriarchalism, besides being configured as a claim of a place built by them as desiring subjects.