Será que tem cenas pós-créditos? Proposta de classificação tipológica e análise do recurso no cinema

Abstract

Placing scenes after the film's final credits was a strategy begun in the mid-1960s. The so-called post-credits scenes then went on to announce other films, carry important information for sequences, make jokes with a character or dedicate the film to some professional who died. One company has changed our relationship with these scenes: Marvel Studios, which made post-credits scenes almost mandatory at the end of their superhero movies. The company gains prominence in the analyzes by the resignification that it brought to the resource. In short, this research proposes to use the post-credits scenes as an object, analyzing, with the assistance mainly of Gray (2010), Abbott (2002), Genette (1989) and Fiorin (2011) these points: credits with pre-credits, the importance that the post-credits have on the continuity of the films and what are the purposes of the resource. Key to understand the production of post-credits scenes is the intertextuality and continuity, here discusted in Cinema. In the typological classification proposal, five types of post-credit scenes were identified: advertisement scenes, destiny scenes, hook scenes, in-memory scenes and "What if?" scenes.