Nas bordas da memória: a cartografia de si na construção de dramaturgias em mãos que tecem mapas

Abstract

The work presented here intends to make a path of analysis and reflection on the discoveries during the creative process of the Experiment of Hands that weave maps, where one wishes to investigate the memory in the construction of dramaturgies. The writing proposes to be a cartography built as someone who unveils, through the gaze of the staging, the procedures that were used in order to materialize the dramaturgies emerged by the performer's memory. And then, how they were organized giving shape to the aspects and elements that constitute the staging, these being; body, document, text and space. Based on the materials raised along the way, as creative process diaries, the research proposes dialogues based on reflections on Lycia Sánchez's Memory Dramaturgy and her experience with the methodological proposition of the question-answer in Pina Bausch's dance theater. Access to memories from the study of access to brands approached by Suely Rolnik, as well as the perspective of memory, movement and ritual with Rafael Ricieri and Ludmila Castanheira, Jerzy Grotowski, among other authors and thinkers of creative processes about the use of memory. , narrative and (auto)biography in contemporary scenic compositions. Thus at the edges of memory, it investigates memory itself as a territory of multiple narratives.