Curadoria e fertilização da sensibilidade

Abstract

Our time suffers from a crisis of sensitivity, in which our contained energies are captured by neoliberal capitalism and our sensory-perceptual apparatus is brutalized by excess stimuli. Given this scenario of sensorial manipulation, this research investigates the power of curating to carry out a survey of the symptoms that emerge from the works and, at the same time, intervene in the public's aesthetic reception through what we call "poetics of fertilization". In the first chapter, we carry out an archeology of sensitivity, excavating the speeches that have historically been given about the field of the sensitive, in which we write a small history of sensitivity and the relationships between aesthetics and politics; decolonial aesthetics and the crisis of sensitivity. In the second chapter, we rehearse the hypothesis that poetics is an artifice that gives access to the field of the sensitive through the collapse of language and the appearance of the image, crossing the discussion around the body, desire and reenergization. In the third chapter, we rehearse the poetics of curation and its critical power in diagnosing the world, and clinically transforming subjectivities. In the fourth chapter, we present the eco-curatorial thinking presented in 15 (fifteen) text-documents that were born from curatorial experiments carried out during the Master's in Arts period (2022-2024).