Viajo porque preciso, volto porque te amo: uma análise fílmica a partir da narrativa amorosa do personagem e dos estudos sobre a voz no cinema

Abstract

Guimarães Rosa once said “the ideal of real is not in the way out or in, but it presentes itself for us in the middle of the crossing, the path”. Path here is like a “ritual” of passage from de subject. For the writter for instance go through the first blank page its all that matters it´s a momento of achievement. For someone who ends a relationship the first day going out its a difficult but fundamental process. This work it´s about this personal outing. The starting point is José Renato, leading character of “Viajo porque preciso, volto porque te amo” (2009), the movie we will work with. The starting point is to discuss the way the voice presentes itself in the movie. The different types of intonation to express feelings and acts from the character, conducting scenes and the narrative itself. Using cinema theory (COMOLLI, 2008; AUMONT, 2016) to try to explain how to transcribe the images we see somehow “guided” by a voice (MANZANO, 2014; DOANNE, 2003; DUBOIS, 2004). A character that makes his path through sertão with is also a metaphor to loneliness, deserto of itself. Viajo talks about a love delusion – the road trip starts at that point. The story seems plain comum its the different aspects that make it a diferencial movie. The main character, which we don´t see, goes out in a journey to try to understand what happened in his life. We only know what he says, the entire movie he tells the story. In here we think about that voice as a product that captures the viewer. The cinematographic elementsbuilds this narrative of loneliness, abandonment and silence. We use cinema theory and psychoanalysis as our base material to study these elements in the movie: the ideia of this love José Renato is always calling, the journey itself and his voice that makes the journey goes on. Keywords: Cinema. Voice. Psychoanalysis. Narrative