Mutum como expressão dos estados da alma de Miguilim: o silêncio na transcriação da poesia do conto para o cinema.

Abstract

In 2007, the filmmaker Sandra Kogut released a new movie called Mutum, a film adpatation of the Campo Geral novel, a Manuelzão and Miguilim book chapter, one of the volume of Corpo de Baile book by João Guimarães Rosa. The connection between cinema and literature, it means, between Roseano writing style and Kogut film is the research main point. The presently adaptation has been considered an intersemiotic translation, assimilated concept by Roman Jakobson and highlighted in the sphere of contemporary art by Júlio Plaza (2003) and Thaïs Flores Nogueira Diniz (1999). It´s possible, from that concept, conceiving translation beyond the language limits, raising others language scopes, because concerning the interpretation process from a sign system to another. It means, the creative translation from a language to another. The new meaning creation process observed in the tranlation was named by Haroldo de Campos (2011) transcreation. Based on the Campos thought, it will be presented how was constituted the ways taked by Kogut on the translation process. In order to interpretated Guimarães Rosa writing language, it will be found that the film-maker resort to uses visual and sound solutions, through a sensoriality image, driven by the silence and its atmosphere (GIL, 2005; COSTA, 2016). It reaches conclusion that the absence of voices and words, and the musical appeal, with silent characters for long periods, also build silence images by the director, although surrounded by environment sounds and noises. Concerning to the different ways of silence, Eni Orlandi (1997) will guide the research. In its turn, Gabriela Reinaldo will manage the way to deal with the silence in Rosa writing and in narrative inserted in the film.

Key-Word: Literature. Cinema. Campo Geral. Mutum. Intersemiotic translation. Transcreation. Silence. Atmosphere.