Uma atriz, uma travessia: técnica, afeto e cena na criação do espetáculo Poeira, do grupo Ninho de teatro.

Abstract

This work is a sharing of experiences from my perception as an actress-researcher within the process of creating the play POEIRA (2016), by Grupo Ninho de Teatro, from Cariri of Ceará. These writings are an attempt to present an uncovering of my creative process, presenting a path that starts from technique and, crossed by affection, in the encounter with this body in a condition of creation, enter the scene. The work is the outcome of the Memórias de Mestres: A Mímeses Corpórea dos Mestres da Tradição Popular do Cariri, which began in 2014, and which was based on the creation, through the theoretical orientation-practical actors-researchers Carlos Simioni and Jesser de Souza , the “corporeal mimesis” developed by LUME Teatro. The writing is structured in a triad - technique, affection and scene -, in which I developed, respectively, the application of “corporeal mimesis” in the creation process, the affective crossings generated in each meeting with Masters, especially with Master Zulene Galdino, who inspires me for this work and, finally, the aesthetic aspects that appear on the scene from the give-and-take between technique and affection. To dialogue with the research, Luís Otávio Burnier (2009), Renato Ferracini (2006), Luiz Antônio Simas and Luiz Rufino (2018), Eduardo Oliveira (2007) and Oswald Barroso (1997 and 2013) are some of the authors who represent the theoretical contribution. All approaches refer to my insight into this investigation, on the premise of understanding my body like yard, settlement and sharing knowledges.