Tradução dos camponeses aristofânicos como matutos cearenses em acarnenses e paz

Abstract

We study the rural genesis of comedy by the parody of a phallic song, which is indicated by Aristotle, in Poetics, as the origin of the comedy, within the celebration of a rural Dionysia, in commemoration of the peace reacquired by the protagonist of Acharnians. We will compare the private peace of Dikaiopolis, defended in a trygoidia, “singing to new wine” or “comedy”, and that of Trygaeus, the vintager, who rescues the goddess Peace, in the homonymous piece, for all the Greeks. The peace of the two protagonists manifests itself in the Dionysian agrarian rituals, which we equate with the June festivals in the Northeastern part of Brazil, for the recognition of their common structural features, in the form of agricultural festivals of fertility and spectacular manifestations. The agrarian aspect of peace will be translated into the comedy Peace of Aristophanes by the rural version of the Aristophane's peasants, in line with the translation of Acarnenses already established by us, in recognition of the strong inspiration of comedy‟s Muse in the culture of Ceará. We will present the prologues of the two plays in our rural translation from Ceará, emphasizing the rural aspect of the comedy, as a fair city, in its proposal of Peace, whether in ancient Greece or Brazil today. Our project had the support of CNPQ / Universal-Process No.: 458142 / 2014-0.