Contracultura, tradição e oralidade: (re)inventando o sertão nordestino em tempos velozes

Abstract

Considering the renovation of cultural productions occurred in the 70's in Crato city, this article intends to discuss the importance of Oral History to cartography, where the complex identifications forms are changing in a faster way,mainly on these present days of modernity. Between this rich relationof those traditional signs and the wish of being up to date to the national cultural production, how to think about the local memory? How to give visibility to the difference, always rernarkable, ar the speachs about the Cariri from Ceará? What place do memory guardians occupy in this typically modern crossing games?