A linguagem abjeta em "Não passarás o Jordão" e em "O leite em pó da bondade humana"

Abstract

The use of torture during the military dictatorship in Brazil brought their victims sequeis that have profoundly since the sufferings caused by traumatic wound transcend physical impairments. In the narratives "Não passarás o Jordão", by Luiz Fernando Emediato and "O leite em pó da bondade humana", by Haroldo Maranhão, this aspect is composed as challenging the representativeness core, through the memory of violence in this scene torture. Noteworthy in drafting the scene, the effects of abjection that so shocking and perverse, are the result of the punishments suffered by the victims. Among the results stand out: the so-called horror delight, the use of a language that has the power to cause an effect of abjection and movement / appropriation of Grotesque Realism. Regarding methodological procedures, we can say that it is a comparative literature research based on the theory of aesthetics of the abject.