Cinema e Psicanálise: considerações sobre o tempo e a memória

Abstract

This work investigates the relationship between the mechanisms present in the montage and the mechanisms at play in the technique of free association, with views to contribute to a more general debate that, in the context of the relations between Cinema and Psychoanalysis, turn to the statute of time. Regarding the cinema's perspective, we worked with Andrei Tarkovski, focusing on his formulations about time. For the director, respecting the time that is printed materially in each shot is the artist's ethical commitment to his material. As for Psychoanalysis, we refer to the problematic of time in its relation to the technique of free association and the notion of interpretation. From the experience of the Projeto Cine Freud, Cultura e Arte and the execution of a work group carried out within the scope of the Laboratório de Psicanálise da UFC, the work presents a bibliographical research.