A moça que tece o mundo: narrativa e feminino nos bordados do grupo Matizes Dumont para o conto A Moça Tecelã, de Marina Colasanti

Abstract

Ever since understands himself in the world man narrates, and through narrative he perceives himself as part of a greater whole. By orality and also by images, narrating is, above all, communication and an exchange of manifest experiences turned into colors, sounds, images, sensations and senses wich affect all together the narrated object, the narrator and its receiver. The materialization of the literary tale A Moça Tecelã by Marina Colasanti, to images embroidered by group Matizes Dumont reveals new meanings and emphasizes the ancestral relation between the threads, the stories told between generations and the feminine. This translation from words to embroidered images is inspired in this article by authors such as Hans Belting, Vilém Flusser, Walter Benjamim, Paul Ricoeur, Michelle Perrot and Nelly Novaes Coelho.