Prismas e black mirror: queda livre ou tempo livre.

Abstract

This article introduces a reflection about the new forms of relational configurations established in our society. The purpose here is to reflect on such relations that, in general, are almost always mediated by media apparatuses of the development of new technologies in the digital world. In this context, it is appropriated to analyze the ways in which the social conjunctures are exposed in ample models of marketing spectacularization. That is, everything is visible while nobody sees it, but it is charged with the huge desire to possess, to be part of something that is between the touchable and the things that what only seems to jump from a screen, coming from a label by which the present society was known. Such a label, according to some authors who will be mentioned below, classify it as "The consumer society". So, the objective of this article is to reflect on the forms of subjectivation in the mold of a certain pattern of spectacularization and alienation brought by the authors: Debord, Bauman, Sibilia, Foucault, Adorno, Bruno, among others. In particular, the focus of analysis1, besides to reflect through the ideas of these authors aspects concomitant in the episode "Nosedive" of the British serie Black Mirror currently transmitted by Netflix, is to investigate how are constructed the faetishism ways that convert the relations into merchandise present in our current society and that were problematized throughout the year of 2017 as programmatic content of the extension Prismas: Nucleus of Studies in Critical Theory, Cultural Industry and Social Psychology of the Federal University of Ceará, Campus of Sobral.