O improviso cênico-musical na qualidade de experiência artística na escola

Abstract

This research aimed to investigate the pedagogical potential of the scenic-musical improvisation as an artistic experience in schools from the perception of the participating subjects in the process, understanding that this knowledge can bring contributions to a significant pedagogical practice in relation to teaching and learning of art in high school. The work had as reference Jorge Larrosa’s studies on formative experience (2002, 2011, 2015), and relied on Augusto Boal (2010, 2012) and Hans-Joachim Koellreutter’s (1997) improvisation proposals. The field research context were the art classes of the first year of high school from a state school of Ceará and meetings with a group formed with students from other grades, classes and shifts of the same school. The method used was action research and had a semi-structured interview and audiovisual recordings of the meetings as main instruments of data collection. Three categories for analysis were found from the interpretation of the subjects’ discourse, such as: opening of the curriculum: freedom to express themselves creatively; expression of subjectivity and otherness in artistic formation; motivation. It was found that the scenic-musical improvisation revealed multiple pedagogical potential, among the main ones: appropriation of full knowledge from the unification of musical and scenic languages; encouraging new perceptions of reality and creativity; motivation for learning provided by the playful aspect of the games