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    <title>DSpace Coleção:</title>
    <link>http://repositorio.ufc.br/handle/riufc/23848</link>
    <description />
    <pubDate>Thu, 13 Aug 2026 11:15:12 GMT</pubDate>
    <dc:date>2026-08-13T11:15:12Z</dc:date>
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      <title>Nas tramas da contratransferência: história, clínica e política institucional na psicanálise (1886-1915)</title>
      <link>http://repositorio.ufc.br/handle/riufc/87452</link>
      <description>Título: Nas tramas da contratransferência: história, clínica e política institucional na psicanálise (1886-1915)
Autor(es): Leite, Gabriel Azevedo
Abstract: This study aims to historically investigate the genesis of the notion of countertransference in the work of Sigmund Freud (1856-1939), placing it within the context of the professionalization and institutionalization of psychoanalysis between 1886 and 1915. The research adopts a perspective that integrates theoretical, clinical, and politico-institutional dimensions, drawing on references from the history of science and psychoanalytic historians. It aims to analyze how the institutionalization of the psychoanalytic movement influenced the production and circulation of knowledge regarding countertransference. Specifically, the research aims to locate the textual records of the term within the psychoanalytic movement, to follow the debates concerning its politics, and examine the conceptual elaborations of psychoanalytic technique related to the analyst's implication. The methodology consists of historical research of bibliographic nature, based on the analysis of primary sources, including published texts, correspondence, and institutional documents (minutes and bulletins) of the psychoanalytic movement, as well as specialized secondary bibliography. Throughout this process, it was observed that the term "countertransference" has a scarce nominal presence in the Freudian oeuvre, appearing only four times in published texts. However, the clinical issues evoked by the term – the influence of the patient's unconscious feelings (and thoughts) on the analyst – are present beyond the word itself and are inseparable from the clinical and institutional tensions of the time. The investigation indicates that the emergence of countertransference occurred, in part, to avoid embarrassing clinical situations, such as the falling in love between physician and patient, and to prevent potential inconveniences to the legitimacy of the psychoanalytic movement. It is concluded that Freud's treatment of countertransference involved a triple movement: the need for conceptual elaboration in the face of clinical impasses, the restriction of its theoretical development, and a secretive circulation of its dilemmas among the members of the movement.
Tipo: Dissertação</description>
      <pubDate>Thu, 01 Jan 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://repositorio.ufc.br/handle/riufc/87452</guid>
      <dc:date>2026-01-01T00:00:00Z</dc:date>
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    <item>
      <title>O Bloco Doido é Tu e seus efeitos como dispositivo de desinstitucionalização</title>
      <link>http://repositorio.ufc.br/handle/riufc/87424</link>
      <description>Título: O Bloco Doido é Tu e seus efeitos como dispositivo de desinstitucionalização
Autor(es): Miná, Humberto Ítalo Linhares
Abstract: This text seeks to build knowledge about an artistic and cultural experience of a group composed of various actors related to the Psychosocial Care Network (RAPS) in the city of Fortaleza. It derives from the insertion and monitoring of the process that culminates in the Carnival parade of the “Bloco Doido é Tu!” (BDT), to capture the reverberations of this experience in the collective production of what contemporary psychosocial care is. The overall objective is to analyze the possibilities and obstacles that permeate the BDT as a device for deinstitutionalization and mental health care. The specific objectives are: to investigate the creation and history of the “Doido é tu!” carnival group as a device for deinstitutionalization of care in the RAPS of Fortaleza; to follow the production process of the 2025 parade, analyzing the practices produced from the perspective of psychosocial care; and to discuss with participants of the block's management committee a broader understanding of its position as a mental health device in the capital of Ceará, understanding its limitations and possibilities. Considering the collective and experiential nature of the object of study, this project adopts a qualitative, cartographic approach from the perspective of Schizoanalysis. Field diary records, participant observation, and a group interview were used to describe the experiences of participation in the carnival block and understand the perspective of its members.  The analysis was based on the assumptions of schizoanalytic theory and anchored in the psychosocial care paradigm. The results shed light on how the existence of the block and its annual processes positively influence the network, promoting advances in the sociocultural aspect intended by the Brazilian Psychiatric Reform, even in the face of various forces that lead to its regression. On the other hand, it is evident that the BDT suffers from the same discontinuities, tensions, and possible captures as other points in the network, requiring an attentive and dialogical attitude in the continuity of its actions. The group interview, which served as a landing place for the many questions raised from monitoring the carnival process, can move the debate on elements, without the intention of exhausting them, among which we highlight: a) thinking about the block and its history as a producer of life and cultural practices that support care in freedom; b) thinking about the participation of users in the actions of the block and its management; c) thinking about how to deal with the challenge of competing in the Fortaleza Carnival; qualify the discussion on the participation of CAPS AD users and homeless people in the block's activities. We believe it is necessary to deepen the debate in order to continue generating life with care based on art, facing the scenario of setbacks with joy, balance, and struggle.
Tipo: Dissertação</description>
      <pubDate>Thu, 01 Jan 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://repositorio.ufc.br/handle/riufc/87424</guid>
      <dc:date>2026-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Psicanálise e racismo: o estranhamento do corpo negro a partir da obra “A cor do inconsciente”, de Isildinha Baptista Nogueira</title>
      <link>http://repositorio.ufc.br/handle/riufc/87383</link>
      <description>Título: Psicanálise e racismo: o estranhamento do corpo negro a partir da obra “A cor do inconsciente”, de Isildinha Baptista Nogueira
Autor(es): Martins, Iara de Sousa
Abstract: This study draws on Isildinha Baptista Nogueira’s work *The Color of the Unconscious*, seeking to understand the psychological effects of racialization on subjective constitution. To this end, it highlights the theoretical connection with Freud’s concept of the “uncanny” (Das Unheimliche) to understand the experiences of estrangement linked to the image of the Black body. The specific objectives were: 1) To present the foundation of the body in psychoanalysis through the theoretical contributions of Isildinha Baptista Nogueira; 2) To discuss identifications related to the black body based on the work of Isildinha Nogueira, observing how the author works with the notion of “Unheimliche” in the constitution of the body image and in identifications intersected by racism; 3) To promote a reflection on how the estrangement of one’s own body articulates with the processes of dehumanization experienced in relation to otherness, based on Nogueira’s theoretical contributions. This is a theoretical study in psychoanalysis, grounded in a review of the works of the aforementioned authors. It is based on Nogueira’s contributions regarding the symbolic and imaginary dimensions of the Black body in her dialogue with Jacques Lacan, Françoise Dolto, and Mahmoud Sami-Ali. Subsequently, it seeks to deepen discussions on the topic through the contributions of Frantz Omar Fanon and Neusa Santos Souza. In this way, the study contributes to the debate between psychoanalysis and racism, emphasizing the effects of dehumanization on Black subjectivities. It is considered that listening to the psychological suffering of Black subjects requires psychoanalysis to engage with the effects of structural racism and the forms of exclusion inscribed in bodies. The dissertation seeks to contribute to the theoretical-critical field that recognizes the incidence of racism in clinical practice and psychoanalytic theory.
Tipo: Dissertação</description>
      <pubDate>Thu, 01 Jan 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://repositorio.ufc.br/handle/riufc/87383</guid>
      <dc:date>2026-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Rupturas identitárias nas fronteiras entre a carne e o silício: existências dissidentes de gênero e suas montações experimentais de si</title>
      <link>http://repositorio.ufc.br/handle/riufc/87149</link>
      <description>Título: Rupturas identitárias nas fronteiras entre a carne e o silício: existências dissidentes de gênero e suas montações experimentais de si
Autor(es): Oliveira, Eden Queiroz de
Abstract: This research analyzes the processes of identity (de/re)configuration carried out by gender-dissident existences that, through experimental practices of self-assemblage constituted within flows between the virtual and beyond-the-screen realms, produce ruptures in hegemonic conceptions of gender, body, and subjectivity. Throughout this trajectory, an insurgent stance toward scientific practice is adopted, grounded in a queer-oriented epistemological conglomerate that mobilizes the propositions of Judith Butler and Paul B. Preciado in articulation with Donna Haraway’s cyborg feminism and Antonio da Costa Ciampa’s elaborations on identity-metamorphosis. Also interwoven into this framework are the contributions of constellational thinking and montage-knowledge, as formulated by Walter Benjamin and Georges Didi-Huberman. The theoretical-methodological approach is marked by hybridity and multidimensionality, taking the non-binary multi-artist Guika as its central axis of analysis. The method consists of the creation of a visual atlas inspired by Aby Warburg’s Atlas Mnemosyne, in which heterogeneous images are juxtaposed on panels that constellate anachronistic relations, thereby tensioning positivist logics of knowledge. Open and processual, the atlas foregrounds “montação/monstração” as an aesthetic-political technology of self-production. Traversed by the figure of the flaneur and David Lapoujade’s notions of the witness and the advocate, the work sustains an ethical, aesthetic, and political stance committed to the affirmation of dissident existences. By reclaiming the metamorphic and hybrid potency of “montação/monstração”, the research projects a horizon of radical identity emancipation and the fabulation of other possible worlds.
Tipo: Dissertação</description>
      <pubDate>Thu, 01 Jan 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://repositorio.ufc.br/handle/riufc/87149</guid>
      <dc:date>2026-01-01T00:00:00Z</dc:date>
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