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    <title>DSpace Communidade:</title>
    <link>http://repositorio.ufc.br/handle/riufc/22012</link>
    <description />
    <pubDate>Wed, 08 Apr 2026 09:17:45 GMT</pubDate>
    <dc:date>2026-04-08T09:17:45Z</dc:date>
    <item>
      <title>Janelas do grande circular: análise sobre a cidade de Fortaleza através do transporte coletivo</title>
      <link>http://repositorio.ufc.br/handle/riufc/83011</link>
      <description>Título: Janelas do grande circular: análise sobre a cidade de Fortaleza através do transporte coletivo
Autor(es): Santos, Gabriel Cordeiro dos
Abstract: Public transportation is an emblematic field for the inversions of social sciences. In&#xD;
the city of Fortaleza, mass transportation of the population, which is influenced and&#xD;
has an expressed magnitude, is carried out by buses. As a result of the city's various&#xD;
public transportation lines, interspersed with the demands that the population needs,&#xD;
there is a content that benefits various aspects of society. From the upscale areas to&#xD;
the peripheral neighborhoods, the city is interconnected, which results in a&#xD;
continuous flow that influences the circulation of goods, merchandise and mainly&#xD;
narratives about society. However, even with so many public transportation lines that&#xD;
interconnect the various faces of the metropolis, today, the lines that make up the&#xD;
Grande Circular stand out. With an emblematic route and at the same time a itinerary&#xD;
considered long, the Grande Circular stands out in urban narratives and tales,&#xD;
through the psychological and sociological imaginaries that passengers dazzle about&#xD;
its route. Diving into the social strata of the city of Fortaleza, the Grande Circular&#xD;
presents fields of exploration for the social sciences.
Tipo: TCC</description>
      <pubDate>Wed, 01 Jan 2025 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://repositorio.ufc.br/handle/riufc/83011</guid>
      <dc:date>2025-01-01T00:00:00Z</dc:date>
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    <item>
      <title>Processos etnográficos na etnobiografia: um estudo de caso do filme “Mal dos trópicos” de Apichatpong Weerasethakul</title>
      <link>http://repositorio.ufc.br/handle/riufc/77149</link>
      <description>Título: Processos etnográficos na etnobiografia: um estudo de caso do filme “Mal dos trópicos” de Apichatpong Weerasethakul
Autor(es): Ribeiro, Júlia Moreira
Abstract: The present research aims to draw parallels between the filmmaking of Tropical Malady (2004), directed by Apichatpong Weerasethakul in collaboration with the actors, and issues that pervade &#xD;
the field of anthropology studies. In a first movement, the possibility of film as a field of research is analyzed, from fiction as a possible means to reveal questions related to perceptions and meanings regarding “humanity” and “animality”, as well as memory and oblivion and the invention of a culture through the very act of filming. Emphasis is placed on work carried out &#xD;
previously with the theme of fiction as means as possibility of expression by the filmmaker and ethnologist Jean Rouch, in collaboration with african persons, a genre that Rouch himself will call ethnofiction(ROUCH apud GONÇALVES, 2008), and how Apichatpong is also paradigmatic in this sense for collectivize his own experiences through the intervention of the &#xD;
actors' actions: an act of ethnobiographing life (GONÇALVES, 2012). In order to understand the unique way in which Joe(a nickname gived by the filmmaker himself to western acquaintances) creates, decoupage is added as a method to make the film be understood by its characteristic handling, contextualizing it in its metadiscursive mode – in which the filmmaking is put on the agenda in the work –, because it is from there that we visualize the various structural &#xD;
and narrative doubles present. The first part (or block) of the film, 'Strange Creature', is reflected &#xD;
in the second part, 'A Path of the Spirit', the first being a rehearsal for the movement that will take place in the second. The characters of Sakda Kaewbuadee, the peasant Tong, and Banlop Lomnoi, the soldier Keng, are responsible for driving the film and tensing the human presence &#xD;
on the literal and metaphorical borders in northeastern Thailand; boundaries that also concern the notion of human nature itself, put in check at almost all times. The borders, therefore, are put under discussion through the divided structure of the film, the theme involving mythologies about “shamanism” and “doubles” and the very notion of cinema as a device that provokes &#xD;
questions about true and fictional reports and modes of representation. It is, therefore, these subject-characters, on this frontier between real and imagined, memory and invention, that interest us in association with the field of study of audiovisual anthropology from the perspective of ethnobiography.
Tipo: TCC</description>
      <pubDate>Sun, 01 Jan 2023 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://repositorio.ufc.br/handle/riufc/77149</guid>
      <dc:date>2023-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Evocações benebianas: historicidade e propósitos das institucionalidades para o nordeste</title>
      <link>http://repositorio.ufc.br/handle/riufc/75081</link>
      <description>Título: Evocações benebianas: historicidade e propósitos das institucionalidades para o nordeste
Autor(es): Thé, Raul da Fonseca Silva
Abstract: This research consists of a socio-anthropological study that seeks to denote the &#xD;
historicity concerning the practices, representations and intentionality in the &#xD;
formulation and promotion of institutional policies for the Northeast, from evocations &#xD;
performed by such institution, Banco do Nordeste. Institutions developed within legal &#xD;
parameters that act in order of political practice toward the Northeast region &#xD;
incorporating itself debates and solutions to the problems of this region. This &#xD;
monograph has intention to understand the historical pathways that confer legitimacy &#xD;
on these institutions and that idea institution sustains and maintains the practices of &#xD;
those entities. Aiming to unravel the socio-historical processes that organized the &#xD;
formulation of institutionalities for this region, based on the example Banco do &#xD;
Nordeste. To do so, it is survey data from the reading of documents, &#xD;
pronouncements and publications of the Banco do Nordeste, as well as the presence &#xD;
on the field for informal conversations, through interviews and reading the imagistic &#xD;
discourse, which denote the invocations cited. The methodology focused on &#xD;
questioning the historicity with inspiration in the work of Max Gluckman and Otavio &#xD;
Guilherme Velho. As synthetic observations that punctuates the Banco do Nordeste &#xD;
is rather a policy for and in the Northeast an institution in the Northeast, and is &#xD;
therefore a possible extension of this view to other institutional policies for the &#xD;
Northeast.
Tipo: TCC</description>
      <pubDate>Wed, 01 Jan 2014 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://repositorio.ufc.br/handle/riufc/75081</guid>
      <dc:date>2014-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>As representações sociais dos profissionais da saúde sobre a saúde do idoso e o envelhecimento: estudo realizado em Plano de Saúde Suplementar</title>
      <link>http://repositorio.ufc.br/handle/riufc/75080</link>
      <description>Título: As representações sociais dos profissionais da saúde sobre a saúde do idoso e o envelhecimento: estudo realizado em Plano de Saúde Suplementar
Autor(es): Cortez, Sinara Pinheiro
Tipo: TCC</description>
      <pubDate>Wed, 01 Jan 2014 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://repositorio.ufc.br/handle/riufc/75080</guid>
      <dc:date>2014-01-01T00:00:00Z</dc:date>
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