http://repositorio.ufc.br/handle/riufc/19631 Sat, 18 Apr 2026 07:09:54 GMT 2026-04-18T07:09:54Z http://repositorio.ufc.br/handle/riufc/84207 Título: CORPOTERRITÓRIO: escritarias de arte e vida cotidiana num processo de criação e(m) dança Autor(es): Silva, Francisco José Santos da Abstract: This work considers the body and creation in dance based on the paths of everyday life and memories of the author of the research, activated in/with the territory of Canaan, municipality of Trairi, Ceará. It is in the creative relationship with the territory that the notions of community and collective action are embodied, which mark the artistic productions of Arreios Cia de Dança, of which the author, artist-researcher, is a member. In this relationship, childhood games, memories, poetic writings and the affectability of the members of Arreios Cia de Dança are activated through the notion of “land of memories”, conversational moments and experiments in dance, dramaturgically reconstructing the show CorpoMar, which has been presented since 2021, until today. In this path, a creative seeding was carried out, with the objective of recreating scenes from the aforementioned show. Authors such as Leda Maria Martins, Conceição Evaristo and Antônio Bispo were consulted to help us think about the notion of memory. With Milton Santos and Célia Xakriabá, we understood ourselves as bodies-territory. The conversations with Thereza Rocha's studies allowed us to create dramaturgies that intertwine art and everyday bodies in the processes of creating bodies and/or dances, using the show CorpoMar as a reference. Tipo: Dissertação Wed, 01 Jan 2025 00:00:00 GMT http://repositorio.ufc.br/handle/riufc/84207 2025-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/83504 Título: Poéticas interespécies na arte contemporânea brasileira Autor(es): Viana, Wes Magalhães Abstract: In contrast to the effects of the ecocide marching across the Earth, we initiated a transdisciplinary research between art, philosophy, and science, aiming to map interspecies poetics in contemporary Brazilian art. To this end, using cartography as a method to track processes and flows between culture and nature, we selected poetics that depart from the dominant human logic and approach more-than-human forces, present in the works of artists such as Castiel Vitorino Brasileiro and Jota Mombaça, and we wrote art criticisms that allow themselves to be traversed by these presences. In this sense, contrary to the overly human forms of life of capitalism, our hypothesis is that contemporary Brazilian art has been rehearsing the creation of multispecies futures. Tipo: Dissertação Wed, 01 Jan 2025 00:00:00 GMT http://repositorio.ufc.br/handle/riufc/83504 2025-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/83438 Título: Descer para o futuro: reversibilidade do tempo como poética de des-criação em dança Autor(es): Oliveira, Déborah Santos de Abstract: How can we rescue the imaginaries of future in dance? In which procedures can we dive to imbricate curved timing in compositions? Can returning to a creative process tension the confluences between practice and theory in a collective? How the desire to return poetically can become uncreative actions in dance? This research focuses on contemporary dance from a black perspective in order to understand how the axes of body, memory and ancestry were the poetic and dramaturgical foundation for the creation of the performance Ocara (2023), by Companhia Déborah Santos. It returns to its creative process with the aim of investigating it from the point of view of scenic disassembly (Diéguez, 2013), understanding it as de-creation in dance. With this, the research aims to draw up reflections on the reversibility of time in dance as a dismantled/uncreated and spiral poetics. It takes up the black references left behind by white and Eurocentric thinking in order to launch into a future that lies in the descent of modern thinking. In other words, descending into the future. Tipo: Dissertação Wed, 01 Jan 2025 00:00:00 GMT http://repositorio.ufc.br/handle/riufc/83438 2025-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/82313 Título: Criar a partir de espinhos e escombros: joalheria experimental e expressão artística Autor(es): Oliveira, Flávia Franco Abstract: The research investigates the production process involved in the creation of experimental jewelry, highlighting its production methods, choices, and aesthetic solutions with a focus on the materialities in the processes, the social, cultural, and environmental implications of the produced jewelry, to reflect on the craft in jewelry making. Based on the analysis of the creative processes of Nathalia Canamary and Antonio Rabelo, we consider the experimental jewel as an artistic language capable of communicating issues related to sustainability, the memory of places, and the re-signification of materials.Canamary, in her series “Avanço,” works with fragments of rubble and elements from the coast of Fortaleza, bringing a critique of urban transformations and environmental impact.Rabelo, in the series “Mandacaru,” uses thorns from the typical plant of the sertão, creating a deep connection with regional culture and environmental preservation. Both jewelers adopt a creative process that goes beyond aesthetics, involving critical narratives about the environment and local culture. We consider the artist's exploratory need based on Salles' concepts (1998 and 2008), thinking of the process as part of the work and a transformative medium for the individual. Since for the author, creation is a process of continuous and complex interaction between the artist and the environment that surrounds them. Proposing that experimental jewelry functions as an “open system” of interactions, influenced by social and environmental issues, highlighting the role of the jewel as a form of artistic, reflective, and critical expression. The investigation includes creation workshops conducted by the author, focusing on material experimentation and collective practice, composing a methodological journey that intertwines theory and experience. Contributing to the understanding of jewelry as an expanded artistic practice, situated between the body, territory, and critical thought. Tipo: Dissertação Wed, 01 Jan 2025 00:00:00 GMT http://repositorio.ufc.br/handle/riufc/82313 2025-01-01T00:00:00Z