http://repositorio.ufc.br/handle/riufc/23719 2026-08-16T02:01:29Z http://repositorio.ufc.br/handle/riufc/87116 Título: Qualidade no telejornalismo esportivo: uma análise qualitativa do Globo Esporte Ceará Autor(es): Norões, Luís Eduardo Nogueira Tipo: TCC 2026-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/87115 Título: Comunicação organizacional hoje: como as lógicas das redes sociais atravessam o Slack e ressignificam as interações no ambiente corporativo Autor(es): Filiú, Fernanda Luisa Martins Vasconcelos Abstract: This research investigates how the use of Slack – a tool whose logic, grammar, and functionalities resemble those of digital social networks – contributes to redefining interactions in the work environment. It is based on the premise that the platform promotes apparently more spontaneous and horizontal interactions, accentuating contacts that go beyond strictly professional relationships. The study is inserted in the field of organizational communication and digital platforms. To this end, the following methodological procedures were adopted: a) exploratory research on the functionalities of Slack; b) application of an online form (questionnaire) with 54 employees of companies that use Slack or similar tools as the main means of organizational communication; and c) semi-structured interviews with eight employees from the same company who used Slack and answered the online form. Among the main results, the research showed that workers identify similarities between Slack and digital social networks, which favors informal interactions and conversations that go beyond the strictly professional scope. It was observed, however, that organizational culture plays a central role in these dynamics: informality and spontaneity depend more on the company's social practices than on the platform's functionalities. The changes perceived are concentrated above all in the form of communication — more fluid and less formal — and not in power relations. Thus, Slack partially redefines interaction at work, with effects that vary according to organizational culture, teams, and individual perceptions. Tipo: TCC 2025-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/87114 Título: Inquietos: fragmentos sensíveis de encontros Autor(es): Morais, Vicente Buccarini Mesquita de Abstract: “Inquietos: fragmentos sensíveis de encontros” focuses on the encounters made possible through interviews, understood as spaces of listening, affection, and narrative construction. The work consists of journalistic profiles portraying fragments of lives shaped by the city of Fortaleza, addressing themes such as friendship, love, memory, bohemian life, and uncertainty. Grounded in the theoretical framework of the book-reportage genre (Lima, 2009), narrative journalism, and studies on journalistic profiles (Maia, 2020; Moraes, 2019), the project embraces subjectivity and the reporter’s involvement as constitutive elements of the narrative. It is based on open-ended interviews, prolonged coexistence, and diverse writing strategies. The study advocates for a slow, ethical, and sensitive form of journalism that values the encounter both as method and outcome. Tipo: TCC 2026-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/86593 Título: Quem é o monstro? A infamiliaridade no cinema de Hirokazu Koreeda Autor(es): Lima, Pedro Igor de Sousa Abstract: This work investigates the relationship between the concept of the uncanny (Unheimliche), present in Freudian psychoanalysis theory, and narrative studies with focus on the work of Japanese filmmaker Hirokazu Koreeda. The overall objective of this research is to examine the applicability of the uncanny as an aesthetic effect experienced in the film Monster (2023). The hypothesis is that the film uses a four-act narrative structure originally from the Eastern Asian tradition, known in Japan as kishotenketsu, to produce catalysis through unfamiliarity. The work presents a theoretical framework on the metaphysics of narrative structures, including the four-act structure, and unfamiliarity as in Freud (1919). The works of Fonseca (2019) and Harnercker (2025) support significantly the foundations of an ontology of narratives, as well as the works of Arnavas & Bellini (2023) and Alzhanov et al (2024) give a panoramic view on the kishotenketsu structure. The method of analysis was a poetic analysis of the film's narrative structure, seeking the strategies used to produce aesthetic effects and catharsis. The results of the investigation support that the uncanny as an aesthetic effect can be appreciated in Monster (2023) through the relationships established between the filmic elements present in the narrative, in addition the results point to questions related to the ontology of the four-act structure and the uncanny as a methodological paradigm in queer. Tipo: TCC 2025-01-01T00:00:00Z