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    <title>DSpace Communidade:</title>
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        <rdf:li rdf:resource="http://repositorio.ufc.br/handle/riufc/86684" />
        <rdf:li rdf:resource="http://repositorio.ufc.br/handle/riufc/86641" />
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    <dc:date>2026-06-12T16:10:38Z</dc:date>
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  <item rdf:about="http://repositorio.ufc.br/handle/riufc/86712">
    <title>Conflitos de narrativas na comunidade do gesso: buscando o ponto de vista das culturas juvenis</title>
    <link>http://repositorio.ufc.br/handle/riufc/86712</link>
    <description>Título: Conflitos de narrativas na comunidade do gesso: buscando o ponto de vista das culturas juvenis
Autor(es): Amorim, Marta Regina da Silva
Abstract: This thesis investigates conflicting narratives in the Gesso Community, located in the&#xD;
municipality of Crato, in the Cariri region of Ceará, a territory historically marked by&#xD;
symbolic disputes associated with prostitution, poverty, and social exclusion. Based&#xD;
on the understanding that narratives constitute central elements in the production of&#xD;
meaning about places, this research has the general objective of identifying and&#xD;
discussing narrative conflicts in the Gesso Community, in the Cariri region of Ceará,&#xD;
seeking the perspective of youth cultures. Thus, youth cultures are the central focus&#xD;
of this study, due to their role in the cultural practices that emerge in the region,&#xD;
particularly through the work carried out by the Coletivo Camaradas. As specific&#xD;
objectives, we seek to investigate the conflictual nature of narratives in the Gesso&#xD;
Community, in the Cariri region of Ceará, through the voices of local women; analyze&#xD;
childhood and youth experiences as a formative basis for the construction of new&#xD;
narratives about this place; understand the elements that constitute narrative&#xD;
conflicts, based on an analysis of the Coletivo Camaradas’ activities; to analyze the&#xD;
contributions of the narratives produced by the Coletivo Camaradas, through the&#xD;
Poste Poesia initiative, to the construction of new narratives about the community.&#xD;
From a methodological standpoint, the research employs a qualitative approach,&#xD;
grounded in oral history and narrative analysis, articulating memory, experience, and&#xD;
cultural practices developed in the community. The theoretical framework draws on&#xD;
studies of popular education (Freire; Brandão), the understanding of language as a&#xD;
social practice (Bakhtin; Voloshinov), and reflections on hybrid cultures (Canclini), as&#xD;
well as authors who discuss memory, education, cultural practices, and art. As our&#xD;
main theoretical framework, we draw on the contributions of Néstor Garcia Canclini&#xD;
(1997) and Stuart Hall (1997, 2003) to discuss cultural hybridity and narrative&#xD;
conflicts; Paulo Freire (1987, 1992) and Carlos Rodrigues Brandão (2006, 2007) to&#xD;
understand the process of emancipatory praxis and limit situations. The research&#xD;
findings demonstrated that the cultural practices developed by youth cultures in the&#xD;
Gesso Community, particularly through the actions of the Coletivo Camaradas and&#xD;
the Poste Poesia intervention, contribute to transforming narrative conflicts regarding&#xD;
the territory, reframing the meanings attributed to the community and repositioning its&#xD;
residents as agents who produce new narratives. The study conceptualizes the&#xD;
“Sculpted Action of the Word”, a concept developed in this research, understood as a political-aesthetic gesture materialized in Poste Poesia, as a transformative&#xD;
force capable of inaugurating other ways of inhabiting and reframing the place.
Tipo: Tese</description>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://repositorio.ufc.br/handle/riufc/86684">
    <title>Integração de Recursos Educacionais Digitais (RED) de língua portuguesa em sala de aula: reflexão sobre as práticas pedagógicas</title>
    <link>http://repositorio.ufc.br/handle/riufc/86684</link>
    <description>Título: Integração de Recursos Educacionais Digitais (RED) de língua portuguesa em sala de aula: reflexão sobre as práticas pedagógicas
Autor(es): Hitzschky, Rayssa Araújo
Abstract: Digital  Educational  Resources  (DER)  are  understood  as  any  digital  resource  designed  for &#xD;
educational  purposes.  In  the  Portuguese  Language  curriculum  component,  the  Brazilian &#xD;
National Common Curricular Base (BNCC) guides the integration of Digital Information and &#xD;
Communication  Technologies  (DICT),  including  DER,  through  the  incorporation  of &#xD;
contemporary language practices associated with digital culture. In this context, it is relevant &#xD;
to investigate the ways teachers integrate DER, the strategies adopted, the challenges faced, &#xD;
and how these resources enhance teaching practices. Therefore, the general objective of this &#xD;
dissertation is to analyze the integration of Portuguese Language Digital Educational Resources &#xD;
(DER),  grounded  in  the  Brazilian  National  Common  Curricular  Base  (BNCC),  into  the &#xD;
pedagogical  practices  of  teachers  in  the  early  years  of  Elementary Education. The  specific &#xD;
objectives  are:  1)  To  categorize  the  forms  of  integration  of  Portuguese  Language  DER &#xD;
developed  by  teachers  in  their  pedagogical  practices  during  the  early  years  of  Elementary &#xD;
Education;  2) To conceptualize  the pedagogical  strategies developed by teachers during the &#xD;
integration  of  DER  in  the  classroom;  3)  To  identify  the  challenges  faced  by  teachers  in &#xD;
integrating DER into classroom activities. The theoretical framework included studies on DER &#xD;
and pedagogical practices, curriculum and digital technologies, Portuguese Language teaching, &#xD;
and  contemporary  discussions  on  DICT  in  education.  The  research,  based  on  a  qualitative &#xD;
approach, is characterized as action research with an interpretative and descriptive focus. Data &#xD;
collection  instruments  included  field  diary  records,  online  questionnaires,  semi-structured &#xD;
interviews, photographs, and videos. Thus, the research was carried  out through three main &#xD;
actions: 1) Teacher training, seeking teachers’ appropriation of DER use and the integration of&#xD;
resources into pedagogical practices; 2) Understanding the forms of integration, pedagogical &#xD;
strategies,  and  challenges  related  to  the  use  of DER;  3) Reflection  on  the  use  of DER  in &#xD;
pedagogical  activities.  Data  analysis  was  conducted  through Content  Analysis  (CA),  from &#xD;
which  the  following Categories  and Subcategories  emerged:  1)  Forms  of DER  Integration, &#xD;
comprising: a) Learning Protagonism; b) Group-Based Learning; c) Reading and Writing with &#xD;
gamification elements; and 2) Pedagogical strategies in the use of DER, including: a) Students’&#xD;
technological appropriation; b) Reuse of DER; and c) Didactic sequences through the phases &#xD;
of  DER.  The  results  made  it  possible  to  understand  how  teachers  integrated  DER  into &#xD;
Portuguese  Language  practices,  highlighting  contributions  to  protagonism  in  learning,  the &#xD;
strengthening  of  reading  and writing,  and  the  appropriation  of  different  discursive  genres &#xD;
through the use of these resources, especially in collaborative and gamified ways. Students’ technological  appropriation  also  proved  to  be  an  integrating  factor,  in  addition  to  the &#xD;
possibilities  offered  by  the  reuse  of  DER  and  their  phases  with  grounded  pedagogical &#xD;
intentionalities. Therefore, this research provides support for studies on the integration of DER &#xD;
into  school  activities  and  contributes  to  the  understanding  of  the  relationships  between &#xD;
pedagogical practices, DICT, and Portuguese Language learning.
Tipo: Tese</description>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://repositorio.ufc.br/handle/riufc/86641">
    <title>Jogos musicais e expansão da musicalidade na educação infantil: um caminho formativo para professores não especialistas em música</title>
    <link>http://repositorio.ufc.br/handle/riufc/86641</link>
    <description>Título: Jogos musicais e expansão da musicalidade na educação infantil: um caminho formativo para professores não especialistas em música
Autor(es): Santos, Wanderley de Freitas dos
Abstract: In the present work, we analyze the use of musical games as pedagogical tools for the &#xD;
expansion  of  children's  musicality,  based  on  their  use  by  early  childhood  education &#xD;
teachers, not specialists in music, in the regular classroom. The main objective of the &#xD;
research  was  to  analyze  how  musical  games  were  used  by  these  teachers,  as  a &#xD;
pedagogical  tool  in  the  expansion  of  the  musicality  of  children  in  early  childhood &#xD;
education. As specific objectives, we observed how the assimilation  of  the  proposed &#xD;
musical content through the use of games occurred by the teachers. We also analyzed &#xD;
the suggestions of didactic strategies made by the teachers for the operationalization of &#xD;
the  musical  concepts  worked  with  the  children  of  early  childhood  education.  Our &#xD;
research is based on Vygotsky's historical-cultural theory, based on his works, compared &#xD;
to the works of scholars of his theory, applied in music education. In this study, we used &#xD;
the  methodology  of  collaborative  action-research,  based  on  Thiollent  (1986)  and &#xD;
Bortoni  (2011),  with  two  Early Childhood  Education Centers  (CEI)  as  its  locus,  in &#xD;
Fortaleza during the period from the beginning of the 2nd semester of 2023 to the end &#xD;
of  the  1st  semester  of  2024. Two  teachers  from  Kindergarten  3  and  their  respective &#xD;
students (about 40); and two teachers from Kindergarten 5 and their respective students &#xD;
(about 40). The results obtained in this research indicate that the use of musical games &#xD;
as a pedagogical tool by early childhood education teachers, not specialists in music, &#xD;
favors the expansion of the musicality of children and teachers, thus helping that musical &#xD;
education is present in the school trajectory since early childhood education.
Tipo: Tese</description>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://repositorio.ufc.br/handle/riufc/86594">
    <title>A tristeza em crianças do Ensino Fundamental I à luz da Teoria Santiana: a escola como espaço de desenvolvimento cognitivo e afetivo</title>
    <link>http://repositorio.ufc.br/handle/riufc/86594</link>
    <description>Título: A tristeza em crianças do Ensino Fundamental I à luz da Teoria Santiana: a escola como espaço de desenvolvimento cognitivo e afetivo
Autor(es): Barbosa, Lucas dos Santos
Abstract: The present study examined the feeling of sadness in students in the final years of Primary Education I at a public school in the interior of the State of Ceará, with the main objective of understanding how childhood sadness is perceived by the child, their guardians, and the school institution regarding cognitive and emotional development. The descriptive format proposed by this study guided the choice of qualitative descriptive methodology, as the participants' statements and the object of study in this research, childhood sadness, constitute the content used for analysis and understanding of the theme. The innovative psychopedagogical ideas of 'extended family support' and the scientific paradigm of connectivity, proposed by Branco (2010) in his doctoral thesis, informed the choice of the theoretical framework of the Portuguese intellectual Dr. João dos Santos because, as argued by the author, they confirm the inseparability between mental health and education. Santos considered psychoanalysis as the primary theoretical field for understanding human beings and the vicissitudes of childhood. In this sense, foundational authors such as the Austrian Sigmund Freud, considered the creator of psychoanalysis, and the French Henri Wallon, in whom Santos was a researcher in the child psychobiology laboratory, constitute sources of invaluable importance. Holanda's studies (1997) align with the investigation, especially regarding the thematization of the construction of students' cognitive autonomy. Following pre-established criteria, two children from the third and fourth grades, along with their guardians and teachers, were chosen. Therefore, a total of six interviews were conducted, including all participants. The two main events triggering sadness in the children are related to experiencing grief and the separation of parents. The impacts on behavior and cognition differed between the two students, and the teachers' approach to the manifestation of children's sadness was not the same. The importance of teachers deeply understanding their students, willing to comprehend the reasons for experiencing sadness, became evident. It was highlighted that a close relationship between the teacher and the student can facilitate conflict resolution through affection, as such an approach creates a channel of communication, providing space and time for the child to express their feelings.
Tipo: Dissertação</description>
    <dc:date>2024-01-01T00:00:00Z</dc:date>
  </item>
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