http://repositorio.ufc.br/handle/riufc/22329 2026-04-09T23:06:20Z http://repositorio.ufc.br/handle/riufc/85720 Título: Festival de produções acadêmicas na graduação em dança da Universidade Federal do Ceará Autor(es): Silva, Karlos Ronielly Oliveira da Tipo: TCC 2021-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/85701 Título: Cinderela da Disney: um estudo sobre adaptação e nostalgia Autor(es): Guilherme, Mariana Silva Abstract: The story of Cinderella is the most reproduced and recognized story in the world. This paper analyzes the film versions produced by Walt Disney, the 1950 animation and the 2015 live-action, in order to understand how the process of adaptation from one medium - animation - to the other - live-action - took place, which elements remained, which elements were modified, using the ideas of authors such as Robert Stam and Thais Diniz, and to study how the relationship between the works is able to cause nostalgic appeal in the viewer based on the concepts of nostalgia worked on by authors such as Linda Hutcheon Tipo: TCC 2024-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/85665 Título: Infâncias em jogo: uma análise dos riscos e das oportunidades para meninas no jogo Royale High da plataforma Roblox Autor(es): Rocha, Pâmela da Silva Abstract: To support our discussion on childhood, we draw upon the foundational works of Sarmento (2004; 2007) and Brougére (1997; 2006), as well as Jenkins (2006; 2015), Buckingham (2007), Livingstone (2011; 2013; 2017), and Vitorino Sampaio (2016; 2017; 2021) to explore childhood and its relationship with the internet. Regarding gender studies, we engage with authors such as Bourdieu (2012), Butler (2018; 2019), Lauretis (2019), Bento (2006), and Harris (2005), in addition to Kafai et al. (2008) and Friman (2015), who specifically address the relationship between gender and digital games. For critical analysis, we employ the concepts of risks and opportunities outlined by Hasebrink et al. (2009), along with their methodological framework. Additionally, we incorporate the methodologies proposed by Schell (2008) and Petry et al. (2013) to conduct a thorough examination of the game.Our analysis reveals that the game includes challenging moments that promote movement, dialogue, and learning, as well as mechanics that are rarely found in other games designed for girls. However, Royale High also fosters a consumerist mentality and encourages the continuous acquisition of beauty and fashion items while restricting players' expressive possibilities to standardized, slender body types. Furthermore, we identify additional risks, such as the incentivization of inputting sensitive player data into the platform Tipo: TCC 2025-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/85575 Título: A esperança: O papel das representações de marketing político na construção da distopia de Panem Autor(es): Matias, Iuri Gomes Abstract: This monograph analyzes the novel Mockingjay, by Suzanne Collins, the third volume of The Hunger Games trilogy, from the perspective of communication, political marketing, and political propaganda as structuring elements of its dystopian narrative. Based on the concepts of utopia and dystopia, the study investigates how the work constructs a society marked by ideological control, symbolic manipulation, and the spectacularization of politics, establishing parallels with real-world practices of political propaganda. The central objective is to understand how political marketing and propaganda strategies are represented within the narrative and how they influence both the development of the plot and the construction of the protagonist Katniss Everdeen as a political symbol. The research adopts a qualitative approach, grounded in narratological analysis, examining elements such as plot, characters, space, time, and narrator, articulated with theoretical frameworks from political marketing and propaganda studies. This monograph demonstrates that, throughout the narrative, Katniss is instrumentalized by opposing political forces, being transformed into a communicational product and a tool for mass mobilization. Finally, it concludes that Mockingjay critically reveals that, even within discourses presented as liberating, mechanisms of manipulation, symbolic control, and propaganda remain active, reinforcing the dystopian logic of the work and problematizing the relationships between power, communication, and politics. Tipo: TCC 2025-01-01T00:00:00Z