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    <dc:date>2026-07-15T14:56:42Z</dc:date>
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  <item rdf:about="http://repositorio.ufc.br/handle/riufc/87091">
    <title>Educação para a democracia: Adorno e a reflexão crítica contra o autoritarismo</title>
    <link>http://repositorio.ufc.br/handle/riufc/87091</link>
    <description>Título: Educação para a democracia: Adorno e a reflexão crítica contra o autoritarismo
Autor(es): Abreu, Wesley Carlos de
Abstract: This research investigates the relationship between education and democracy based&#xD;
on the thought of Theodor W. Adorno, seeking to understand how critical reflection can&#xD;
act as a form of resistance to authoritarianism. It starts from the observation that,&#xD;
throughout the twentieth century and into the twenty-first century, democratic societies&#xD;
have been and continue to be threatened by authoritarian tendencies, often naturalized&#xD;
in everyday life. In this context, education must be understood not merely as the&#xD;
transmission of content, but as a formative practice capable of strengthening&#xD;
autonomous, critical subjects who are resistant to ideologies that foster intolerance,&#xD;
submission, and authoritarian propaganda. The guiding question of this study is: in&#xD;
what way does Adorno’s philosophy contribute to grounding an education that serves&#xD;
as a barrier against the authoritarian personality and the new configurations of&#xD;
contemporary authoritarianism? The hypothesis argues that critical education, by&#xD;
prioritizing emancipation and reflective capacity—articulated with an affective&#xD;
pedagogy—constitutes a decisive instrument for the preservation and deepening of&#xD;
democracy. The objective is to analyze the Adornian conception of education for&#xD;
democracy in dialogue with the critique of authoritarianism, highlighting the relevance&#xD;
of The Authoritarian Personality in examining the formation of subjects predisposed to&#xD;
authoritarian character; in connection with Education and Emancipation, which&#xD;
advocates education oriented toward autonomy; and The New Right-Wing Radicalism,&#xD;
which demonstrates the persistence and updating of authoritarianism in democratic&#xD;
societies. The methodological approach consisted of a systematic reading and critical&#xD;
interpretation of Adorno’s works, articulating theory and the historical context of the&#xD;
rise of authoritarian movements, establishing parallels with contemporary reality, and&#xD;
evidencing the continued relevance of critical pedagogy. Taken together, Adorno’s&#xD;
writings provide solid foundations for an educational proposal which, by forming&#xD;
reflective subjects, contributes to democratic resistance in the face of authoritarian&#xD;
threats, confronting oppressive ideologies and sustaining democracy as an ongoing&#xD;
process of construction.
Tipo: Tese</description>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://repositorio.ufc.br/handle/riufc/86347">
    <title>Do conceito de história à totalidade provisória em O Capital de Marx: limites e possibilidades do método</title>
    <link>http://repositorio.ufc.br/handle/riufc/86347</link>
    <description>Título: Do conceito de história à totalidade provisória em O Capital de Marx: limites e possibilidades do método
Autor(es): Almeida, Rodrigo Cavalcante de
Abstract: The present research takes as scope to analyze two fundamental concepts of Marx's method in&#xD;
the work The Capital. They are the concepts of History and Provisional Totality; defending&#xD;
the thesis that the development of the first concept or conception of History is configured, in&#xD;
part, in the second concept of Provisional Totality, which we consider to be a fundamental&#xD;
analytical key for understanding the work Capital and, therefore, its method. To this end, the&#xD;
paper is divided into two parts: the first part deals with the formation of the concept of&#xD;
History in Marx, demonstrating the processual and non-linear character of this concept in the&#xD;
work of the German thinker, from the works of youth, where we argue that there is not yet a&#xD;
concept of history in the author, but notions of history , based on a realistic posture and a keen&#xD;
notion of historicity, passing through the German Ideology, a turning point in Marx's work,&#xD;
and which marks the beginning of his conception of history, but not its completion, until the&#xD;
development of the critique of the lack of historicity of political economy. In the second part,&#xD;
which focuses on Capital, we will investigate the concept of Provisional Totality, implicit in&#xD;
the work. In fact, it is the very method of The Capital, which is nothing more than Marx's&#xD;
attempt, perhaps partly unconscious, to combine a dialectical presentation of the categories of&#xD;
the capitalist mode of production with a synthesis of the concrete historical process. In other&#xD;
words, a synthesis between a materialist dialectic and an open-ended conception of history,&#xD;
articulated in a totality that will therefore be provisional. It derives from this both the concept&#xD;
of law and the categories of social averages, making it possible to understand the various&#xD;
levels of abstraction between the three books, while expressing the limits and scope of Marx's&#xD;
method.
Tipo: Tese</description>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://repositorio.ufc.br/handle/riufc/86146">
    <title>Consciências coletivas: uma abordagem gradualista do monismo protopsíquico</title>
    <link>http://repositorio.ufc.br/handle/riufc/86146</link>
    <description>Título: Consciências coletivas: uma abordagem gradualista do monismo protopsíquico
Autor(es): Fonseca, Anderson Luiz do Vale
Abstract: The hypothesis that Collective Consciousnesses exist in the natural world challenges the&#xD;
assumption that consciousness is phenomenally determinate, since such forms would be in a&#xD;
gray area of phenomenal unification. This point of view, once its reasonableness is accepted, is&#xD;
in accordance with psychophysical gradualism, according to which consciousness is a vague&#xD;
&#xD;
property of biological organization. On this basis, we propose that Panprotopsychist Dual-&#xD;
Aspect Monism admits that subjective experience comes in degrees, correlated with the&#xD;
&#xD;
arrangement of the physical parts of a living system. Accordingly, there would be non-&#xD;
conscious, borderline, and conscious forms. The colony, in this case, is examined as a spatially&#xD;
&#xD;
distributed organism that exhibits a partially integrated experience. To support this argument,&#xD;
we investigate the Phenomenal Binding Problem to determine which physical process makes it&#xD;
possible for consciousnesses to be combined into an integrated whole. In addressing this issue,&#xD;
we argue that the synchronization of electromagnetic fields constitutes the physical substrate&#xD;
that enables the combination of the experiences of the colony’s components. The analysis of&#xD;
biological models, such as bryozoans and siphonophores, leads to the recognition of an evident&#xD;
relationship between the synchronization of (neuro)electrical oscillations and collective&#xD;
sensitivity. We conclude that distributed consciousness is not merely an analogical description,&#xD;
but a natural occurrence.
Tipo: Tese</description>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://repositorio.ufc.br/handle/riufc/85295">
    <title>O pressuposto estético-linguístico do conhecimento: a crítica epistemológica de Walter Benjamin no Caderno N das passagens</title>
    <link>http://repositorio.ufc.br/handle/riufc/85295</link>
    <description>Título: O pressuposto estético-linguístico do conhecimento: a crítica epistemológica de Walter Benjamin no Caderno N das passagens
Autor(es): Silva, Paulo Victor de Albuquerque
Abstract: This thesis investigates Walter Benjamin's critique of knowledge, focusing on the “N Convolute – Theory of Knowledge, Theory of Progress” from “Das Passagen-Werk”. It proceeds from the hypothesis that the Benjaminian epistemology is grounded in a dual and inseparable aesthetic-linguistic premise, according to which historical knowledge emerges from the correlation between sensory apprehension (aesthetics) and interpretative&#xD;
understanding (language). The investigation is developed along three main axes: 1) the expansion of the concept of aesthetics beyond the philosophy of art, situating it as a cognitive dimension of sensory experience in the modern metropolis; 2) the formulation of a Benjaminian philosophy of language that articulates semantics, pragmatics, and materialist hermeneutics; and 3) the immanent analysis of “Convolute N” where this dual foundation is&#xD;
consolidated as the basis of the historical materialist method. In its conclusion, the study critically situates Benjamin’s contribution within the 20th-century epistemological landscape, establishing a brief critical dialogue with three paradigms – the paradigm of consciousness, logical positivism, and orthodox materialism – re-evaluated through the aesthetic-linguistic prism, culminating in the formulation of the “philological historical materialism” as a theoretical synthesis that integrates historicity, language, and sensibility. It concludes that the epistemological turn operated by Benjamin – by decentralizing the transcendental subject and rooting knowledge in sensible-linguistic material objectivity – offers an original paradigm for understanding both the 19th-century modernity and the cognitive impasses of the contemporary world.
Tipo: Tese</description>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
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