DSpace Coleção:http://repositorio.ufc.br/handle/riufc/216672026-04-14T10:01:20Z2026-04-14T10:01:20ZExplorando a Semiosfera: fronteira e o cotidiano em Kiarostami e TaniguchiAlves, Thiago Henrique Gonçalveshttp://repositorio.ufc.br/handle/riufc/838832025-12-15T18:07:39Z2025-01-01T00:00:00ZTítulo: Explorando a Semiosfera: fronteira e o cotidiano em Kiarostami e Taniguchi
Autor(es): Alves, Thiago Henrique Gonçalves
Abstract: This study compares Kiarostami’s cinema and Taniguchi’s manga, analyzing how both
explore everyday life and language from the perspective of Cultural Semiotics, based
on the concept of the semiosphere (Lotman, 1999). The research focuses on selected
the film Where’s My Friend’s House? (1987) and the manga The Walking Man (2017).
Using the concepts of semiosphere and border (Lotman, 1999; Trías, cited by Perez,
2008/2009) and the theories of Eisenstein (2002) and Cirne (1975) on the language of
cinema and comics, the analysis applies the idea of a border between the two art forms,
illustrated by photograms and a page from the manga. The study concludes that these
languages dialog in a significant way, especially in this liminal space and through the
lens of everyday life, a concept adopted by Certeau (2021) and Schneider (2019).
Tipo: Artigo de Periódico2025-01-01T00:00:00ZAs histórias em quadrinhos e a COMPÓS: um olhar crítico e uma relação epistemológica com a comunicaçãoAlves, Thiago Henrique Gonçalveshttp://repositorio.ufc.br/handle/riufc/838822025-12-15T18:04:23Z2025-01-01T00:00:00ZTítulo: As histórias em quadrinhos e a COMPÓS: um olhar crítico e uma relação epistemológica com a comunicação
Autor(es): Alves, Thiago Henrique Gonçalves
Abstract: It presents a reflection on the development of the state of the art for an ongoing thesis.
Its objective is to analyze how COMPÓS, one of the largest Communication events in
Brazil, addresses comics, employing the method proposed by Barichello (2016). Based
on the results obtained, an epistemological reflection is proposed on the relationship
between comics and communication, grounded in the works of Cirne (1970, 1975),
Cagnin (1975), Luyten (1987), Barbieri (2017), Sousanis (2017), and Hatfield (2010).
The findings reveal not only the connection between comics and communication but also
highlight the interdisciplinary nature that characterizes these two fields of knowledge.
Tipo: Artigo de Periódico2025-01-01T00:00:00Z"Se podes olhar, vê. Se podes ver, repara": o ato de ver por meio dos quadrinhosAlves, Thiago Henrique Gonçalveshttp://repositorio.ufc.br/handle/riufc/838812025-12-15T17:56:39Z2025-01-01T00:00:00ZTítulo: "Se podes olhar, vê. Se podes ver, repara": o ato de ver por meio dos quadrinhos
Autor(es): Alves, Thiago Henrique Gonçalves
Abstract: Reading comics transcends mere observation of images. It is an immersive act
that demands interpretation and critical analysis. Through drawings, speech
bubbles, and layout, comics transform ideas into visual narratives, exploring both
storytelling and experimental languages. The graphic image of comics manifests
itself through the division into panels and spatial organization. This
communicative richness of comics will be explored in this text, based on authors
such as Moya (1975), Cirne (2000), Campos (2015), Gervereau (2004), Massironi
(2019), Barthes (2012), and Eco (2015). Our goal is to reflect on and analyze how
the graphic image of comics emerges as a powerful communication tool,
conveying messages, knowledge, and emotions to the reader.
Tipo: Artigo de Periódico2025-01-01T00:00:00ZGuardiões do Louvre: aspectos da memória e da históriaAlves, Thiago Henrique Gonçalveshttp://repositorio.ufc.br/handle/riufc/793642025-01-14T17:35:19Z2024-01-01T00:00:00ZTítulo: Guardiões do Louvre: aspectos da memória e da história
Autor(es): Alves, Thiago Henrique Gonçalves
Abstract: Our text addresses the use of comics as a tool for preserving memory. The theory is based on
the relationship between comics, memory and narrative, with references from authors such
as Nogueira (2018, 2020), Lucas (2024), Rodrigues (2021) and Le Goff (1990), among others.
The object of study is the manga Guardians of the Louvre (2018), by Jiro Taniguchi, which
portrays the preservation of the Louvre's memory during the Second World War through the
pages of comics. The methodology involves a structural analysis of the narrative, considering
the relationship between graphic images and scientific knowledge.
Tipo: Artigo de Periódico2024-01-01T00:00:00Z