Grafismos e iconografias do povo indígena Tremembé da aldeia Corrégo João Pereira e sua proximidade com o design

Abstract

This paper explores the powerful relationship design can have with the indigenous graphics of the Tremembé people of Córrego João Pereira Village, viewed from a decoloniality perspective. The work was conducted in three methodological stages: experience report, iconographic study, and poster production. The experience report addressed the relationship with the Tremembé indigenous people, developed through the Design and Indigenous Graphic Memory Mentoring Program of the Ceará Design Center. In the iconographic study, seven indigenous graphics from Córrego João Pereira Village were analyzed using Panofsky's Iconological Method, focusing on the visual components and their relationships with culture, traditions, and nature, generating diverse graphic possibilities. The results were related to a creative process from a design perspective, seeking to understand how this can contribute to the conceptual practice of design. Finally, the culmination was the creation of the Siri-Ará series, composed of four different posters, encompassing aspects of the author's territoriality and subjectivity