Danzar la calle, corporizar la memoria: acercamiento al estudio de las marchas en la protesta social

Abstract

Public protests and marches are moments to experience from the body the logics of movement that escape neoliberal capitalist productivity, since by putting into practice a kinetic and sensorial body organization different from its logic, they enable the emergence of new social and affective bonds in urban space. In particular, the case of marches will be shown as embodied practices, emphasizing the character of their affective projection both for those who participate in them and for those who have studied them from the outside. From this perspective, it will be possible to see that in the mobilizations new aesthetic-political relations are tried out, through which the traditional repertoires of the militancy are updated according to the demands, local histories and recent political conjunctures.