Use este identificador para citar ou linkar para este item:
http://repositorio.ufc.br/handle/riufc/51686
Registro completo de metadados
Campo DC | Valor | Idioma |
---|---|---|
dc.contributor.author | Vieira, Marcelo Dídimo Souza | - |
dc.date.accessioned | 2020-05-13T14:25:35Z | - |
dc.date.available | 2020-05-13T14:25:35Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | VIEIRA, Marcelo Dídimo Souza. The Cangaço in Brazilian Cinema. Emerald Publishing Limited, v. 13,p-3-18. 2017. | pt_BR |
dc.identifier.isbn | 978-1-78635-785-4 | - |
dc.identifier.uri | http://www.repositorio.ufc.br/handle/riufc/51686 | - |
dc.language.iso | pt_BR | pt_BR |
dc.publisher | Emerald Publishing Limited | pt_BR |
dc.subject | Cinema | pt_BR |
dc.subject | Brasil - Cinema | pt_BR |
dc.subject | Cinema - Cangaço | pt_BR |
dc.title | The Cangaço in Brazilian Cinema | pt_BR |
dc.type | Artigo de Periódico | pt_BR |
dc.description.abstract-ptbr | Cangac¸ o was a form of banditry that occurred in the North-East of Brazil between 1870 and 1940. The movement has inspired many films over the years. This chapter explores the contribution of Cangac¸ o-inspired productions to Brazilian cinema, as well as the particular characteristics of what constitutes the Cangac¸ o genre. Following a historical survey of the Cangac¸ o, the films were divided into different categories and ranked in terms of relevance. Only the most important are discussed in this chapter. The Cangac¸ o has been portrayed in Brazilian cinema through the decades in diverse ways, dating back to the 1920s. After becoming a consolidated film genre in the 1950s, then known as Nordestern, the Cangac¸ o finally acquired a proper structure, featuring multiple Western references among its common characteristics. In the 1960s, Glauber Rocha, one of the most prominent filmmakers of the Cinema Novo avant-garde movement, added his own symbolism to the genre. Eventually, the Cangac¸ o was also revisited by directors who combined it with other genres such as comedy, documentary, and erotic films. Another relevant reinterpretation came in the 1990s, when filmmakers of the so-called New Brazilian Cinema offered a new view on the subject. Despite its strong association with Brazil, the Cangac¸ o has not been thoroughly investigated by researchers. This chapter presents a historical survey and analysis of Cangac¸ o films, highlighting their relevance to Brazilian cinema | pt_BR |
dc.title.en | The Cangaço in Brazilian Cinema | pt_BR |
Aparece nas coleções: | PPGCOM - Artigos publicados em revistas científicas |
Arquivos associados a este item:
Arquivo | Descrição | Tamanho | Formato | |
---|---|---|---|---|
2017_art_mdsvieira.pdf | 270,29 kB | Adobe PDF | Visualizar/Abrir |
Os itens no repositório estão protegidos por copyright, com todos os direitos reservados, salvo quando é indicado o contrário.