É uma verdade universalmente conhecida que nem tudo é verdade: estudo do universo narrativo e paratextual da websérie “The Lizzie Bennet Diaries”

Abstract

The present paper seeks to analyze the narrative structure of the webseries "The Lizzie Bennet Diaries", considered as transmedia narrative, in the context of the convergence culture by Henry Jenkins. "The Lizzie Bennet Diaries" is a webseries adapted from Jane Austen's novel "Pride and Prejudice", written in the 17th century. A study of narrative based on ABBOTT (2009), CAMPOS (2016), STAM (2003), among others, was carried out to understand the particularities of each narrative element analyzed and its relation with the paratexts, under GENETTE (2009), ALVARADO (1994) and GRAY (2010), found in TLBD. In order to verify the functionalities of the paratexts in the transmedia narrative, we conclude that the paratextual relations within the adapted narrative have an essential factor that the paratext aggregates to the transmediatic process, making clear its need to accompany the narrative, both in content and in dissemination.