Os mangues em Raul Bopp

Abstract

From the Modernism to the contemporary world, many things has transfigured and perished on the language field. In a crossing conducted by the tongue of Raul Bopp’s amphibian men is analyzed how it constitutes the imaginary of Cobra Norato’s myth of rivers made by mangroves. By facing the loose soil in the bottom of the river like a water snake making rounds through inside the night, Bopp recriates the poem by the fictional tissue of orality. Handling the nature with a exotic glaze, turned mythic by the surrealist drawn of the verb. Cobra Norato is a book made not only by a surreal geography, but also demarcates an “ecocritic” bound between the word and the culture. This manner, by talking about the nature on poetry comes afloat an rhizomatic web of ecocultutal relationship. It is highlighted some dialogues raised on this research witch dialogues with lessons proposed by the theories of Félix Guattari.