http://repositorio.ufc.br/handle/riufc/23841 Sun, 16 Aug 2026 00:44:19 GMT 2026-08-16T00:44:19Z http://repositorio.ufc.br/handle/riufc/87451 Título: A invenção do heavy metal em Fortaleza: práticas cotidianas e usos da música pesada na década de 1980 Autor(es): Quixadá, João de França Abstract: This study aims to understand how youth segments in the city of Fortaleza, state of Ceará, used the consumption of the heavy metal musical style during the 1980s to produce ways of life based on the discourses, imaginaries, and narratives originating from the world surrounding heavy music. It involves analyzing the process of consuming as an action, an activity. Therefore, this research brings to light a history of heavy music from the perspective of its consumers, those who interpreted and applied it in their own ways within their urban daily lives, thus decentralizing the focus of the history of this rock 'n' roll subgenre only from the gaze of the music industry. We understand that the varying purchasing powers among distinct social strata of youth connected to heavy metal, combined with Brazil's economic situation during its political opening, were determining factors in the dynamics of heavy music consumption in the capital of Ceará. Fanzines were products of consumption strategies that subverted the dominant order of purchase-centric consumption, they were themselves a form of circumvention, as well as essential documents for understanding how young practices regarding heavy metal was developing in the city. The memories of former participants of this culture surrounding heavy music are used to reflect on how there is still a contested past that interprets actions and lived experiences in multiple ways, depending on who remembers and with what intention they recall. In this way, we were able to further explore these forms of consumption based on what survived or what was inverted in the oral accounts of the interviewees, ranging from how they remember themselves to how they remember women (a minority) in the heavy metal scene. Tipo: Dissertação Thu, 01 Jan 2026 00:00:00 GMT http://repositorio.ufc.br/handle/riufc/87451 2026-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/86549 Título: Lázaros reclusos: “lepra”, cotidiano e sociabilidades na Colônia Antônio Diogo (1950-1980) Autor(es): Furtado, Danielly dos Santos Abstract: The Antônio Diogo Colony was built in 1928 in the city of Redenção with the aim of controlling the endemic "leprosy" disease in the state of Ceará. Over the years, the institution received men and women afflicted with leprosy who were involuntarily interned and who had to reinvent their lives in the face of physical and institutional limitations, despite the suffering caused by the disease and its treatment. This research analyzes letters produced by the inmates between 1950 and 1980, which were found in an archive previously classified as strictly "administrative." These correspondences reveal a little-explored dimension of the leprosarium experience, offering privileged access to the daily lives of the inmates, their social networks, affective bonds, and the power tensions that permeated the context of compulsory internment. This documentation therefore constitutes the guiding thread of the present research: through the voices of the patients themselves, through their self-writing, I problematize how the isolationist policy reshaped sociabilities, identities, and memories in a space designed for separation, but which ended up generating unique forms of coexistence. Tipo: Dissertação Thu, 01 Jan 2026 00:00:00 GMT http://repositorio.ufc.br/handle/riufc/86549 2026-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/84471 Título: Um passado insepulto nas disputas do presente: políticas de memória sobre a Ditadura Civil-militar brasileira (1995-2011) Autor(es): Brito, Tasso Araújo de Abstract: This thesis examines how successive Brazilian federal governments, between 1995 and 2011, engaged with the legacy of human rights violations committed during the Civil- Military Dictatorship (1964–1985). The analysis begins with the enactment of Law 9.140/95, which officially recognized those who were victims of political disappearance as deceased, and extends to the establishment of the National Truth Commission in 2012, which elevated the debate on the memory of the authoritarian regime to a new level. Situated within the field of Contemporary History, the research explores the specificities of Transitional Justice in Brazil, which primarily focused on financial reparations for victims' families while sidelining judicial accountability for repression agents.The study discusses how the Amnesty Law (1979) became an unavoidable framework for state initiatives by preventing criminal and punitive measures for crimes against humanity. The thesis also examines the tensions surrounding the formulation and implementation of these memory policies, including resistance from the Armed Forces, pressure from activists and families for crime investigations and access to secret archives, and demands from conservative sectors seeking equal treatment for deceased military personnel and executed dissidents. Additionally, the strategies of the Workers' Party governments (from 2003 onward) to deepen public debate are evaluated, with emphasis on the Caravanas da Anistia (Amnesty Caravans) and cultural projects promoted by the Amnesty Commission. The conclusion highlights that, despite undeniable progress—such as the state's acknowledgment of responsibility for grave violations and the expansion of the right to memory—the adopted justice model retained significant gaps. The absence of criminal punishment and persistent obstacles to investigations reinforced a form of negotiated forgetting, resulting in an "unfinished transition" that keeps the past alive in political disputes. Thus, the "unburied past" remains a decisive factor in understanding Brazil's democratic crises, demonstrating that conflicts over memory and reparations remain unresolved. Tipo: Tese Wed, 01 Jan 2025 00:00:00 GMT http://repositorio.ufc.br/handle/riufc/84471 2025-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/84349 Título: “Desenterrar ossadas da poeira dos tempos”: sentidos e usos do passado escrito na obra de Airton Maranhão Autor(es): Mendes, Ruan Carlos Abstract: This research aims to analyze the literary writing of Airton Maranhão (1950 – 2015) as a constructor of memories for those and that which is not (in the author's own conception) properly remembered, constituting itself as a writing that formulates meanings for the written past and for the various spatialities that were narrated, thus being a fictional art that desires to be able to "give time to space," since Maranhão's literary work (poems, novels, and chronicles) was dedicated to the city of Russas - CE and its people (living and dead). This study also analyzes Maranhão's relationships (possible tensions or encounters) within the "artistic field," which he helped build and was a part of, and his affiliation with and involvement in memory institutions that brought together intellectuals and artists in the city. It discusses the relationships between fiction, memory, temporality, and spatiality, as well as analyzing how an author is formed within a specific "field." We understand that Maranhão's writing remained "imprisoned" and "exercised" a particular way of "seeing and saying" about "Northeastern culture," or so-called "popular culture." We investigate the uses that Maranhão made, through literature, of the "fantastic/magical" and the folkloric to construct memories for a space. We analyzed why a space, or "reality," needed to be written in this way to be expressed. More than a job, it's an inalienable "mission" for those who are said to be (and also perceive themselves) as bearing the duty of not letting the "dust of the past" cover everything with its cloak of oblivion. In his literary writing, Maranhão primarily worked with absences, absent figures who became present in his narratives and took on the contours of the past. From this study, we understand how this writer constructed new “writing tombs” for the dead who do not want to return (1999), but whose absences need to be inscribed in the time of the living. We investigated how Maranhão's writing has operated "cuts" in time and how it (re)connected them in the literary representation of a space and time of saudade (a feeling of longing or nostalgia). The methodology is based on the analysis of the literary work of the aforementioned writer, but not an analysis with the intention of qualifying the work literarily, but rather to bring literature into thought alongside history, to reflect on how a writer, in "speaking" of the world, is also an "investigator," since we understand literature as a "form of knowledge." The research results indicate that in Maranhão's work, which sought to temporalize his hometown, time and space cannot be thought of as separate from each other, and that between history and literature there is a "porous boundary." Tipo: Tese Thu, 01 Jan 2026 00:00:00 GMT http://repositorio.ufc.br/handle/riufc/84349 2026-01-01T00:00:00Z