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    <title>DSpace Communidade:</title>
    <link>http://repositorio.ufc.br/handle/riufc/22026</link>
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    <pubDate>Sun, 16 Aug 2026 09:55:49 GMT</pubDate>
    <dc:date>2026-08-16T09:55:49Z</dc:date>
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      <title>Com que roupa eu vou? O vestuário na construção social do feminino nos bailes de dança de salão em Fortaleza</title>
      <link>http://repositorio.ufc.br/handle/riufc/87433</link>
      <description>Título: Com que roupa eu vou? O vestuário na construção social do feminino nos bailes de dança de salão em Fortaleza
Autor(es): Batista, Maria Suely
Tipo: TCC</description>
      <pubDate>Thu, 01 Jan 2026 00:00:00 GMT</pubDate>
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      <dc:date>2026-01-01T00:00:00Z</dc:date>
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      <title>A psicologia das cores: um estudo sobre a percepção das cores sob o olhar de estudantes de arte e design</title>
      <link>http://repositorio.ufc.br/handle/riufc/87421</link>
      <description>Título: A psicologia das cores: um estudo sobre a percepção das cores sob o olhar de estudantes de arte e design
Autor(es): Fônseca, Sarah Jessica Dias da
Abstract: This study investigated the perception of colors among Art and Design students atUniversidade Federal do Ceará, considering the influence of Ceará's local culture. It is basedon the premise that colors do not possess fixed or intrinsic meanings, nor do they exist inisolation; rather, their meanings and symbolic associations are shaped by the culture andsocial context in which they appear and are embedded. The research was grounded in colortheory and color psychodynamics, linking these concepts to studies on culture, diversity, andthe characteristics of human sensation and perception. The methodology combined a literaturereview with field research using a digital questionnaire to gather responses from students inthe relevant fields of study. Data interpretation drew upon the theoretical frameworks ofauthors such as Edith Feisner, Johann Wolfgang von Goethe, Eva Heller, Maurice Halbwachs,Stuart Hall, Eric R. Kandel, Roque de Barros Laraia, Israel Pedrosa, and Fayga Ostrower,among others. The results underscored the relevance of studying color theory andpsychodynamics within these disciplines, as well as the importance of students masteringthese theories for practical application and professional projects. The analysis revealed thatthe perceptions held by Ceará-based students regarding colors, specifically their symbolic andpsychological meanings, as well as the color chords presented in the questionnaire, alignedclosely with findings from existing studies, showing little variation. The study concludes that,while culture directly influences how individuals perceive color, globalization and exposure tocolor perceptions from other cultures, often conveyed through widely distributed audiovisualmedia, can influence the perception of specific colors and color chords, potentially leading toa standardization of perception.
Tipo: TCC</description>
      <pubDate>Thu, 01 Jan 2026 00:00:00 GMT</pubDate>
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      <dc:date>2026-01-01T00:00:00Z</dc:date>
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      <title>Angels sob medida: a mulher gorda no padrão Victoria’s Secret</title>
      <link>http://repositorio.ufc.br/handle/riufc/85843</link>
      <description>Título: Angels sob medida: a mulher gorda no padrão Victoria’s Secret
Autor(es): Lima, Clarissa Fernandes da Silva
Abstract: This work analyzes the absence and standardization of fat female bodies in fashionadvertising, focusing on the brand Victoria’s Secret. It is based on the understanding thatfashion functions as a system of meanings that organizes perceptions about the body,especially in relation to gender norms and aesthetic standards. The study draws on conceptssuch as fatphobia, beauty, representativity, and gender, based on authors like Agnes Arruda,Naomi Wolf, and Denise Bernuzzi Sant’Anna, whose contributions help to understand thesocial construction of thinness and the marginalization of bodies that do not fit this model.The research adopts a qualitative approach, grounded in three methodological procedures:bibliographic review, document analysis of images from the brand’s fashion shows in 2018and 2024, and a case study. The analysis indicates that, despite the changes promoted by thecompany in its rebranding process, the inclusion of non-thin bodies occurs in a limited andvisually controlled manner. Fat bodies are inserted according to adjustment criteria,maintaining an appearance close to the body shape previously promoted. Thus, it is observedthat fashion advertising reproduces visibility structures that restrict the plurality of bodyshapes and condition the notion of diversity to pre-established molds. It is concluded that,even in the face of transformations in institutional discourse, the meanings attributed tofemale bodies remain tied to a specific ideal, and representativity still operates withinexclusionary parameters.
Tipo: TCC</description>
      <pubDate>Wed, 01 Jan 2025 00:00:00 GMT</pubDate>
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      <dc:date>2025-01-01T00:00:00Z</dc:date>
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      <title>Procrônico: um editorial de moda e arte</title>
      <link>http://repositorio.ufc.br/handle/riufc/85833</link>
      <description>Título: Procrônico: um editorial de moda e arte
Autor(es): Figueiredo, Mateus de Aquino
Tipo: TCC</description>
      <pubDate>Thu, 01 Jan 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://repositorio.ufc.br/handle/riufc/85833</guid>
      <dc:date>2026-01-01T00:00:00Z</dc:date>
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