http://repositorio.ufc.br/handle/riufc/22348 2026-04-16T09:43:06Z http://repositorio.ufc.br/handle/riufc/82737 Título: Da música ao gesto: a musicalidade na experiência teatral e na construção da personagem Sônia. Autor(es): Silva, Lorena Vitorya Benicio Costa da Abstract: This work addresses the intersection between theatric performance and musicality, with a focus on the adaptation of the piece “Valsa N.° 6”, by Nelson Rodrigues, made by the present author and graduate student of the Theater course, Fernanda Lobo. Here I explore my creative journey as interpreter of the character Sônia, highlighting the importance of music in the process of construction of my character and the effects that this relationship evokes. This work reflects on the struggles of acting by yourself on scene and the necessity of research and experimentation to overcome these difficulties. Through these reflections on music in the theatric practice, the author reveals that it can not only complement the scene, but also enrich the actor’s performance, allowing a greater dialogue between body and emotion. The text emphasizes the relevance of body expression and the search for new ways of connecting between the dramatic text and acting, promoting a more profound and affectionate theater experience. The discussion on musicality and the experiences lived during the process of production of the play “Sônia” show how rhythmic technique can help the actor to adapt to challenges in the theater process, highlighting the need for a sensitive and open view of the interaction between body, voice, rhythm, and text. Tipo: TCC 2025-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/81812 Título: Nas bordas da memória: a cartografia de si na construção de dramaturgias em mãos que tecem mapas Autor(es): Soares, Amanda Monteiro Abstract: The work presented here intends to make a path of analysis and reflection on the discoveries during the creative process of the Experiment of Hands that weave maps, where one wishes to investigate the memory in the construction of dramaturgies. The writing proposes to be a cartography built as someone who unveils, through the gaze of the staging, the procedures that were used in order to materialize the dramaturgies emerged by the performer's memory. And then, how they were organized giving shape to the aspects and elements that constitute the staging, these being; body, document, text and space. Based on the materials raised along the way, as creative process diaries, the research proposes dialogues based on reflections on Lycia Sánchez's Memory Dramaturgy and her experience with the methodological proposition of the question-answer in Pina Bausch's dance theater. Access to memories from the study of access to brands approached by Suely Rolnik, as well as the perspective of memory, movement and ritual with Rafael Ricieri and Ludmila Castanheira, Jerzy Grotowski, among other authors and thinkers of creative processes about the use of memory. , narrative and (auto)biography in contemporary scenic compositions. Thus at the edges of memory, it investigates memory itself as a territory of multiple narratives. Tipo: TCC 2019-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/80744 Título: Uma pequena longa jornada Autor(es): Rodrigues, João de Arruda Câmara Abstract: This Final Paper is an autobiographical narrative in which I share influences received from the Arts and Education and processes of personal and collective transformation through encounters and interactions with people. The narrative of oneself as a practice of formation and self-formation allows getting in touch with life experiences in an affective and careful way, giving new meanings to those experiences. The selfreflective process provides leaving masks behind and getting in touch with experiences which have been lived and interwoven in the web of life. In this disentanglement, Drama and Comedy give rise to movements that enhance the potency of Life. Tipo: TCC 2023-01-01T00:00:00Z http://repositorio.ufc.br/handle/riufc/70220 Título: Louvade seja: em busca de uma divindade bicha Autor(es): Sousa, Átila Frank Moura Tipo: TCC 2022-01-01T00:00:00Z