DSpace Coleção:http://repositorio.ufc.br/handle/riufc/2992024-03-19T07:32:38Z2024-03-19T07:32:38ZThe Oil Nationalizations in Bolivia (1937) and Mexico (1938): a comparative study of asymmetric confrontations with the United StatesFlores, Fidel PérezCunha Filho, Clayton Mendonçahttp://repositorio.ufc.br/handle/riufc/717682023-11-14T19:53:59Z2020-01-01T00:00:00ZTítulo: The Oil Nationalizations in Bolivia (1937) and Mexico (1938): a comparative study of asymmetric confrontations with the United States
Autor(es): Flores, Fidel Pérez; Cunha Filho, Clayton Mendonça
Abstract: In the 1930s the Bolivian and Mexican governments decreed the nationalization of their respective oil industries, thus starting a juncture of tensions in their relationship with the United States government and companies. In both cases foreign companies quit the respective host countries, but Bolivia was less successful than Mexico in maintaining its initial stand in face of the external pressure. Following a most-similar-system design strategy to compare both cases of asymmetrical confrontation, which share a similar set of conditions regarding simultaneity, starting causes of the conflict, actors involved and international context, we contend that the difference in the confrontation’s resolution is mainly attributable to differing domestic variables. Controlling for the similarity in external conditions, we show that the building and maintenance of a strong internal support coalition was critical for the capacity of the weakest part to advance its interest in an asymmetrical atmosphere.
Tipo: Artigo de Periódico2020-01-01T00:00:00ZResenha “Economia do Compartilhamento” e uberização: um esquema da “nova razão do mundo” neoliberalSarlo, Thalita Barretohttp://repositorio.ufc.br/handle/riufc/661952023-11-14T19:53:55Z2022-01-01T00:00:00ZTítulo: Resenha “Economia do Compartilhamento” e uberização: um esquema da “nova razão do mundo” neoliberal
Autor(es): Sarlo, Thalita Barreto
Tipo: Artigo de Periódico2022-01-01T00:00:00ZHerdeiros da violência: rotas juvenis atemporaisMarinho, Camila Holandahttp://repositorio.ufc.br/handle/riufc/661942023-11-14T19:53:54Z2022-01-01T00:00:00ZTítulo: Herdeiros da violência: rotas juvenis atemporais
Autor(es): Marinho, Camila Holanda
Abstract: This paper analyzes youth trajectories marked by situations of
violence that are expressed in their most cruel form: youth
homicides. To this end, the central characters of this research
are young people who are the children of young victims of
homicides. These are reflections on timeless youth routes, as
death and mourning are everyday experiences that span generations, marking the peripheries of Brazilian cities through their
pain and the feelings of loss of people who made up their cycles of affections. Therefore, they are affective memories of
young people who, because they live little with their deceased
parents, can, on the one hand, be marked by longing or suffer ing, and on the other hand, memories crossed by forgetfulness
and indifference, thus demarcating the singularity of juvenile
crossings.
Tipo: Artigo de Periódico2022-01-01T00:00:00ZCorpos femininos em tempos de guerra: poéticas de Gustave Akakpo em La Mère Trop Tôt (2004)Vieira, Débora Cristina Sales da Cruzhttp://repositorio.ufc.br/handle/riufc/661862023-11-14T19:53:47Z2022-01-01T00:00:00ZTítulo: Corpos femininos em tempos de guerra: poéticas de Gustave Akakpo em La Mère Trop Tôt (2004)
Autor(es): Vieira, Débora Cristina Sales da Cruz
Abstract: This article discusses the female presence in the artivist dramaturgy of Togolese Gustave Akakpo, using the play La Mère
Trop Trôt (2004) as a cut-out that addresses the drama of children and adolescents surviving a civil war in Africa. The text
is organized in three sections, according to: analysis of the
structure of the play La Mère Trop Trôt (2004) in supported
by the studies of Jean-Pierre Sarrazac (2017); analysis of Gustave Akakpo’s poetics based on the theoretical production of
Sylvie Chalaye (2017) and discussion of the work focusing on
the objectification of bodies and memories of violence from
the perspective of Feminist Studies in dialogue with Michael
Pollak (1989). The collective memory of war is located in between, as it amplifies Afro-contemporary dramaturgy beyond
Africa, by focusing on the contradiction and complexity of the
female bodies that are re-signified in the work.
Tipo: Artigo de Periódico2022-01-01T00:00:00Z