http://repositorio.ufc.br/handle/riufc/246 2026-04-08T09:19:22Z 2026-04-08T09:19:22Z Lima, Stélio Torquato http://repositorio.ufc.br/handle/riufc/19899 2022-08-08T19:41:36Z 2008-01-01T00:00:00Z

Título: O indianismo e o problema da identidade nacional em A lágrima de um Caeté, de Nísia Floresta Autor(es): Lima, Stélio Torquato Abstract: The Romantic period has figured itself in Brazil as a relevant stage of the construction process of our national identity. Soon after Independence, Romanticism established in our country, thus it was characterized by our writers’ effort in order to create symbols by means of which we could be recognized by other nations. It is in this perspective that Nísia Floresta (1810-1885), who was an authoress of Rio Grande do Norte state, developed an interesting reflection about Brazilian identity in A lágrima de um caeté (A caeté’s tear), a long poem written in 1849 by which Nísia Floresta expressed her republican aspiration. By doing so, she shows sympathy for the Praieira Revolt, at the same time she shows imperial troops as antagonists of her narrative, Nísia Floresta takes advantage of Indianism in the above-mentioned work as a structural pattern of a discourse through which she expresses her political position. In spite of that, it is necessary to point out that the poem in focus is also marked by disagreements between Nisia Floresta’s humanitarian intentions and the place from where she used to emit her speech, considering her condition as a dominant class representative and as an intellectual from a peripheral nation as well. In this context, this thesis is developed having as its analysis horizon the hypothesis that the representation of our Indians in A lágrima de um caeté comes to agree with the Brazilian elite’s majority point of view about the national identity question. In the analysis of national identity question in A lágrima de um caeté, we are based on a nation understanding as a discursive and ideological construction, the same comprehension defended by theorists such as Eric Hobsbawn, Bendict Anderson and Homi Bhabha. On the other hand, Mikhail Bakhtin’s theoretical postulations, emphasizing the dialogism and polyphony concepts, have allowed us to understand how the relation among the nisian poem’s voices in conflict reflects the social and historical contingencies that obstruct, in the first half of 19th century, the construction of a national identity that could range Brazilian cultural diversity as a whole. It is in this perspective that we demonstrate in our thesis how A lágrima de um caeté and its textual attributes have been organized as an esthetical representation of our national identity. Tipo: Tese

2008-01-01T00:00:00Z Oliveira Júnior, José Leite de http://repositorio.ufc.br/handle/riufc/19642 2022-08-08T19:41:36Z 2009-01-01T00:00:00Z

Título: O pictórico na poesia cabo-verdiana: dos Claridosos a Kiki Lima Autor(es): Oliveira Júnior, José Leite de Abstract: The relationship between literature and painting has been urging philosophers from Greek and Latin ancient cultures. Currently new branches in Semiotiks are being developed for this purpose. This research is based on semiotic theory of Jean-Marie Floch or, more precisely, on the adaptation of this theory to the Brazilian culture made by Antonio Vicente Pietroforte. Fora research subject was chosen painting and poetry of Cape Verde, aiming to clarify the following question: The paintings by Kiki Lima relates to the historical journal Claridade?Claridade were in all only nine editions (1936 to 1960). However, around the magazinewriters called "Claridosos" discussed the cultural typology of Cape Verde and has influenced the decision for independence of that country. Despite the dictatorship, the claridosospublished trials of high-level ficcional texts and poems, whose content has become a full of meaning heritage for the people of Cape Verde. Through the cultural mirror of Brazil, theclaridosos built a thesis on the creolization in Cape Verde. According to Manuel Ferreira, themain editions of the journal Clarity was drought and famine, migration and insularity. Theresistance to the tendency to emigrate as a solution to personal and national problems wererecurring in the work of claridosos. Kiki Lima (1953), the most important painter of CapeVerde, establishes a connection between his painting and the literature journal Claridade. In the mature phase of his work, radically changed his strategy to show the Cape Verdean people. Instead of showing a miserable scene of his country, he decided to present positive images of the every day life in Cape Verde. That decision has influenced you the technique ofpainting. In the mature phase, two main colors show up on the screen: the blue-cyan andorange. These colors, complementary colors in the palette, are absolutely contraries one to theother. In a semiotic approach, the roles of cyan and orange represents the manifestation of amore abstract dichotomy. In a individual level, the dichotomy of the generative sense of meaning is the life and death; in the society relationship, the dichotomic words are nature and culture. Orange refers to the body (individual) and the land (society); cyan refers to theclothing (individual) and the sea (society). Kiki Lima favors the role of the orange while hedevalues the cyan. Denying the cyan, he denies the sea and the clothing or, by analogy,respectively he denies the migration and foreign culture. Valuing the orange paint, heidentifies with the body and the land. And here is the solution to the tendency to migrate. Thisstrategy responds positively to the semiotics proposed by the poetic of the group claridosos.In conclusion, Kiki Lima intuitively transfer from the pages of poetry of the generation of Claridade to the screen of contemporary art's most important cultural problem of Cape Verde, namely, the tendency to emigrate. However, he proposes to solve it not by negative images of the Cape Verdean population, but by a happy contrast between the cyan and orange. In this battle of colors, the orange wins. The positive sanction of the warm color symbolizes the victory of the Creole culture. Tipo: Tese

2009-01-01T00:00:00Z Bylaardt, Cid Ottoni http://repositorio.ufc.br/handle/riufc/19610 2022-08-08T19:41:37Z 2006-01-01T00:00:00Z

Título: Lobo Antunes e Blanchot: o diálogo da impossibilidade Autor(es): Bylaardt, Cid Ottoni Tipo: Tese

2006-01-01T00:00:00Z Siqueira, Ana Marcia Alves http://repositorio.ufc.br/handle/riufc/19084 2019-03-13T18:03:50Z 2007-01-01T00:00:00Z

Título: O Cabeleira entre a tradição e o cientificismo: a construção doherói sertanejo e o projeto educacional de Franklin Távora Autor(es): Siqueira, Ana Marcia Alves Abstract: The goal of this paper is to examine the romance O Cabeleira by Franklin Távora as a key novel for the comprehension of part of the long process of formation of a national identity through literature, accomplished raised along the second half of century XIX. It also aims to highlight the perpetuation and up date of the substrata of the Portuguese medieval inheritance in our literary tradition, emphasizing the work of transformation and climatization of these substrata due to the critical appropriation made by the author. Távora’s creative imagination absorbed in the national repository, makes arise in O Cabeleira, medieval substrata in the construction of the outlaw hero, as well as in the structuralization of the tragic romantic history lived by the protagonist, in which love is faced as an atavic feeling, above of the good and of the evil, able to transform even the cruelest of the outlaws. However, the novel contemplates other intentions: besides divulging the “authentic national traditions”, the author tried to endorse the literary production in science and to defend the whole of education in the construction of a huge nation. Certain that natural science should have to be joined to literature in order to build a Brazilian nation, Franklin Távola orchestrate, in the inaugural romance of the “Literature of the North”, a double intention: the rescue of the national traditions through the history of the Cabeleira outlaw and the defense of the thesis stating that the education is the only means to save the sertanejo (inlander) – and the Brazilian people – from the barbarity and to raise Brazil to the civilizational plataform of European countries. The use of these ideals and certainties as literary material enabled the great variety of aspects present in the romance that emerge from a history registered both by historical chronicle and by the popular ballads about the terrible Cabeleira, nickname José Gomes, one of the first cangaceiros (bandits) from Pernambuco. Tipo: Tese

2007-01-01T00:00:00Z