DSpace Communidade:http://repositorio.ufc.br/handle/riufc/2412026-04-08T09:06:23Z2026-04-08T09:06:23ZRepertório métrico do Cancioneiro Geral de Garcia de ResendeFernandes, Geraldo Augustohttp://repositorio.ufc.br/handle/riufc/591032021-06-21T11:48:19Z2020-01-01T00:00:00ZTítulo: Repertório métrico do Cancioneiro Geral de Garcia de Resende
Autor(es): Fernandes, Geraldo Augusto
Tipo: Artigo de Evento2020-01-01T00:00:00ZA impossibilidade de se morrer no (a)mar: ecos de um Mar mortoSilva, Hortência SiebraBylaardt, Cid Ottonihttp://repositorio.ufc.br/handle/riufc/529612023-10-31T15:21:31Z2012-01-01T00:00:00ZTítulo: A impossibilidade de se morrer no (a)mar: ecos de um Mar morto
Autor(es): Silva, Hortência Siebra; Bylaardt, Cid Ottoni
Tipo: Artigo de Periódico2012-01-01T00:00:00ZIntenção e recepção em Iracema, de José de AlencarBylaardt, Cid Ottonihttp://repositorio.ufc.br/handle/riufc/526592023-10-31T15:22:29Z2007-01-01T00:00:00ZTítulo: Intenção e recepção em Iracema, de José de Alencar
Autor(es): Bylaardt, Cid Ottoni
Abstract: The meaning of a text surpasses its author's intentions, as interpreters and readers to come will have an amount of additional historical accumulation towards it. That does not mean interpreters understand it better, despite their historical superiority over the author, but they understand in differently. This paper intends to show how, regardless of all his care and explanations, José de Alencar could not avoid new visions and interpretations of Iracema along time.
Tipo: Artigo de Periódico2007-01-01T00:00:00ZA tormenta da escrita - uma leitura do romance O manual dos inquisidores, de António Lobo AntunesBylaardt, Cid Ottonihttp://repositorio.ufc.br/handle/riufc/526582023-10-31T15:21:38Z2001-01-01T00:00:00ZTítulo: A tormenta da escrita - uma leitura do romance O manual dos inquisidores, de António Lobo Antunes
Autor(es): Bylaardt, Cid Ottoni
Abstract: The novel O manual dos inquisidores, by the portuguese writer António Lobo
Antunes apparently refers to a common theme: the rise and fall of a mighty
man. Nevertheless, power is overwhelmed by a writing that hides an inoperative
knowledge, perhaps a non-knowledge, an unprofitable and mendacious speech,
that develops from itself, eliding the rhetoric, mythological and ideological character
of literature. This paper intends to demonstrate the tormenting search of
absolute by this writing that disrupts with the utilitary narrative to make itself art
in its eccentricity and excesses.
Tipo: Artigo de Periódico2001-01-01T00:00:00Z