DSpace Communidade:http://repositorio.ufc.br/handle/riufc/2322026-06-10T13:21:38Z2026-06-10T13:21:38ZDa tradução como invenção: a transcriação em Poetamenos, de Augusto de CamposFrota, Djavam Damasceno dahttp://repositorio.ufc.br/handle/riufc/866472026-06-09T15:48:22Z2026-01-01T00:00:00ZTítulo: Da tradução como invenção: a transcriação em Poetamenos, de Augusto de Campos
Autor(es): Frota, Djavam Damasceno da
Tipo: Tese2026-01-01T00:00:00ZNarrar para não desaparecer: corpo, silêncio e memória em O Conto da AiaGomes, Thaís Pereirahttp://repositorio.ufc.br/handle/riufc/866422026-06-09T13:37:31Z2026-01-01T00:00:00ZTítulo: Narrar para não desaparecer: corpo, silêncio e memória em O Conto da Aia
Autor(es): Gomes, Thaís Pereira
Tipo: Dissertação2026-01-01T00:00:00Z“Porque a minha vida é isso: uma comunidade!”: ancestralidade, escolaridade, exílio e insílio em representações de mulheres quilombolas e de mulheres moçambicanasLourenço, Valéria Correiahttp://repositorio.ufc.br/handle/riufc/866392026-06-09T13:12:21Z2025-01-01T00:00:00ZTítulo: “Porque a minha vida é isso: uma comunidade!”: ancestralidade, escolaridade, exílio e insílio em representações de mulheres quilombolas e de mulheres moçambicanas
Autor(es): Lourenço, Valéria Correia
Abstract: The present work “Because this is my life: a community!”: ancestry, education, exile and insilio in the representations of quilombola women and mozambican women is an attempt to echo the voice of quilombola women from Brazil in dialogue with Brazilian literature, the voice of Mozambican women in dialogue with Mozambican literature, in addition to intertwining all these voices and sewing them with my memory of being a black Brazilian woman. Initially, I analyze the representation of quilombos and quilombolas in Brazilian literature from the 19th century to the present day, specifically in prose; then, I highlight the Brazilian legislation that refers to quilombola communities to understand how this concept has changed over the centuries; and, through the narratives of quilombola women from Bahia, Ceará and Maranhão, I intend, in addition to defining what a quilombo is, being a quilombola, memory, ancestry and resistance through their own voices, to outline a possible definition for the term “quilombola literature” and, thus, expand what we know as Brazilian literature. In Mozambique, I did the same thing, analyzing the representations of Mozambican women in some prose texts from that country and then interviewing Mozambican women from the north and south of the country. In Brazil, I interviewed 16 (sixteen) women aged between 28 and 94, while in Mozambique, I interviewed 6 (six) women from the north and south of the country aged between 18 and 43. However, only a few interviews will be analyzed. I consider the interviewees as part of the theoretical framework, the methodological perspective, and as participants in the thesis. They are: Dona Gorete Gomes, Quilombo das Queimadas, Crateús, Ceará; Dorinete Serejo, Quilombo de Canelatiua, Alcântara, Maranhão; Felizarda Said, Nampula, Northern Mozambique; Gina Dantas, Fortaleza, Ceará; Irene de Jesus, Quilombo de Itamatatiua, Alcântara, Maranhão; Maria da Paixão [Dona Lia], Quilombo Flores, Bahia; Michelly Lourenço, Quilombo das Queimadas, Crateús, Ceará; Neide de Jesus, Quilombo de Itamatatiua, Alcântara, Maranhão; Roberta Xavier, Quilombo das Queimadas, Crateús, Ceará; Rosa Francisco, coordinator at ASCHA, Nampula, Northern Mozambique; Sofia Abdallah, Maputo, Southern Mozambique; Zena Alberto, Nampula, Northern Mozambique; Yara Costa, Northern Mozambique; Yara Marcelino, Maputo, Southern Mozambique. By bringing these conversations into our work, they are intertwined with literary texts and my memories to understand how all our stories come together and move apart. The text will have a theoretical dialogue with Abdias Nascimento (2016; 2019), Alfredo Wagner Berno de Almeida (2008), Beatriz Nascimento (2021), Conceição Evaristo (2010), Edmilson de Almeida Pereira (2010), Francisco Noa (2020; 2022), Nazir Ahmed Can (2020), Grada Kilomba (2019), Leda Maria Martins (2021), Lélia Gonzalez (2019), Regina Dalcastagnè (2012), among other authors. However, the interviews with the women will also be considered as theoretical input for this work.
Tipo: Tese2025-01-01T00:00:00ZCrônica de uma morte anunciada e O amor nos tempos do cólera, de Gabriel García Márquez e a construção de personagens femininas na literatura e no cinemaXavier, Larissa Pinheirohttp://repositorio.ufc.br/handle/riufc/865892026-06-03T15:02:38Z2026-01-01T00:00:00ZTítulo: Crônica de uma morte anunciada e O amor nos tempos do cólera, de Gabriel García Márquez e a construção de personagens femininas na literatura e no cinema
Autor(es): Xavier, Larissa Pinheiro
Abstract: This thesis analyzes the construction of female characters in the novels Chronicle of a Death Foretold (2011) and Love in the Time of Cholera (1985), by Gabriel García Márquez, as well as their film adaptations directed by Francesco Rosi (1987) and Mike Newell (2007), respectively. The objective is to understand how literature and cinema represent the social role of women in socio-historical contexts marked by Latin American patriarchy. The research is based on the hypothesis that the comparative relationship between these novels and their respective films reveals distinct processes in the construction of female characters, highlighting the centrality of women’s social condition within the historical and cultural tensions of Colombian society. The study seeks to identify continuities, shifts, and reconfigurations in the representation of the feminine in both books and films. In the first analytical stage, the study contextualizes the literary, journalistic, and cultural trajectory of García Márquez, situating him within the Latin American Boom and within the historical transformations of Colombia between the nineteenth and twentieth centuries. It demonstrates that his work articulates fiction and social reality by incorporating historical, cultural, and political elements into the narrative structure. It is also shown that the author’s background – marked by journalism, political engagement, and the experience of a matriarchal genealogy – contributed to the creation of dense and symbolically structuring female characters. This trajectory establishes the theoretical foundations that support the analysis of the selected works, drawing on authors such as Fuentes (1974), Rama (1982; 2001), Sánchez (2009), and Monegal (1972). Subsequently, the study examines the social representation of women in both novels. In Chronicle of a Death Foretold (2011), the analysis focuses on the representation of honor as a mechanism of control over the female body, demonstrating how the female character becomes a symbol of patriarchal morality and reveals a society complicit in violence legitimized by tradition. In Love in the Time of Cholera (1985), the trajectory of female characters is investigated, highlighting the conflict between social expectations, bourgeois marriage, and emotional autonomy. Although subject to rigid norms, these characters develop strategies of resistance that produce symbolic shifts within the patriarchal order. In this process, authors such as Zolin (2009), Ruffinelli (1985), Mesa (1995), Gama (1995), and Segato (2016) contribute to the theoretical framework. Finally, the film adaptations are analyzed based on contemporary theories of adaptation studies, which challenge traditional notions of fidelity between literary and cinematic works. The analysis draws on theoretical principles formulated by Hutcheon (2013), Stam (2005), M. Martin (2011), and Xavier (2003). The study demonstrates that, in the adaptation process, directors make aesthetic and narrative choices that in some cases attenuate the critical complexity present in García Márquez’s novels. It concludes that, in the novels, the feminine assumes a structuring role in the representation of patriarchy and gender inequalities in Latin American literature. In the film adaptations, however, these representations are reconfigured according to the specificities of audiovisual language, revealing both continuities and transformations in the construction of female characters.
Tipo: Tese2026-01-01T00:00:00Z