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  <title>DSpace Coleção:</title>
  <link rel="alternate" href="http://repositorio.ufc.br/handle/riufc/2309" />
  <subtitle />
  <id>http://repositorio.ufc.br/handle/riufc/2309</id>
  <updated>2026-06-11T21:24:11Z</updated>
  <dc:date>2026-06-11T21:24:11Z</dc:date>
  <entry>
    <title>Conflitos de narrativas na comunidade do gesso: buscando o ponto de vista das culturas juvenis</title>
    <link rel="alternate" href="http://repositorio.ufc.br/handle/riufc/86712" />
    <author>
      <name>Amorim, Marta Regina da Silva</name>
    </author>
    <id>http://repositorio.ufc.br/handle/riufc/86712</id>
    <updated>2026-06-11T12:57:26Z</updated>
    <published>2026-01-01T00:00:00Z</published>
    <summary type="text">Título: Conflitos de narrativas na comunidade do gesso: buscando o ponto de vista das culturas juvenis
Autor(es): Amorim, Marta Regina da Silva
Abstract: This thesis investigates conflicting narratives in the Gesso Community, located in the&#xD;
municipality of Crato, in the Cariri region of Ceará, a territory historically marked by&#xD;
symbolic disputes associated with prostitution, poverty, and social exclusion. Based&#xD;
on the understanding that narratives constitute central elements in the production of&#xD;
meaning about places, this research has the general objective of identifying and&#xD;
discussing narrative conflicts in the Gesso Community, in the Cariri region of Ceará,&#xD;
seeking the perspective of youth cultures. Thus, youth cultures are the central focus&#xD;
of this study, due to their role in the cultural practices that emerge in the region,&#xD;
particularly through the work carried out by the Coletivo Camaradas. As specific&#xD;
objectives, we seek to investigate the conflictual nature of narratives in the Gesso&#xD;
Community, in the Cariri region of Ceará, through the voices of local women; analyze&#xD;
childhood and youth experiences as a formative basis for the construction of new&#xD;
narratives about this place; understand the elements that constitute narrative&#xD;
conflicts, based on an analysis of the Coletivo Camaradas’ activities; to analyze the&#xD;
contributions of the narratives produced by the Coletivo Camaradas, through the&#xD;
Poste Poesia initiative, to the construction of new narratives about the community.&#xD;
From a methodological standpoint, the research employs a qualitative approach,&#xD;
grounded in oral history and narrative analysis, articulating memory, experience, and&#xD;
cultural practices developed in the community. The theoretical framework draws on&#xD;
studies of popular education (Freire; Brandão), the understanding of language as a&#xD;
social practice (Bakhtin; Voloshinov), and reflections on hybrid cultures (Canclini), as&#xD;
well as authors who discuss memory, education, cultural practices, and art. As our&#xD;
main theoretical framework, we draw on the contributions of Néstor Garcia Canclini&#xD;
(1997) and Stuart Hall (1997, 2003) to discuss cultural hybridity and narrative&#xD;
conflicts; Paulo Freire (1987, 1992) and Carlos Rodrigues Brandão (2006, 2007) to&#xD;
understand the process of emancipatory praxis and limit situations. The research&#xD;
findings demonstrated that the cultural practices developed by youth cultures in the&#xD;
Gesso Community, particularly through the actions of the Coletivo Camaradas and&#xD;
the Poste Poesia intervention, contribute to transforming narrative conflicts regarding&#xD;
the territory, reframing the meanings attributed to the community and repositioning its&#xD;
residents as agents who produce new narratives. The study conceptualizes the&#xD;
“Sculpted Action of the Word”, a concept developed in this research, understood as a political-aesthetic gesture materialized in Poste Poesia, as a transformative&#xD;
force capable of inaugurating other ways of inhabiting and reframing the place.
Tipo: Tese</summary>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Integração de Recursos Educacionais Digitais (RED) de língua portuguesa em sala de aula: reflexão sobre as práticas pedagógicas</title>
    <link rel="alternate" href="http://repositorio.ufc.br/handle/riufc/86684" />
    <author>
      <name>Hitzschky, Rayssa Araújo</name>
    </author>
    <id>http://repositorio.ufc.br/handle/riufc/86684</id>
    <updated>2026-06-10T14:24:31Z</updated>
    <published>2026-01-01T00:00:00Z</published>
    <summary type="text">Título: Integração de Recursos Educacionais Digitais (RED) de língua portuguesa em sala de aula: reflexão sobre as práticas pedagógicas
Autor(es): Hitzschky, Rayssa Araújo
Abstract: Digital  Educational  Resources  (DER)  are  understood  as  any  digital  resource  designed  for &#xD;
educational  purposes.  In  the  Portuguese  Language  curriculum  component,  the  Brazilian &#xD;
National Common Curricular Base (BNCC) guides the integration of Digital Information and &#xD;
Communication  Technologies  (DICT),  including  DER,  through  the  incorporation  of &#xD;
contemporary language practices associated with digital culture. In this context, it is relevant &#xD;
to investigate the ways teachers integrate DER, the strategies adopted, the challenges faced, &#xD;
and how these resources enhance teaching practices. Therefore, the general objective of this &#xD;
dissertation is to analyze the integration of Portuguese Language Digital Educational Resources &#xD;
(DER),  grounded  in  the  Brazilian  National  Common  Curricular  Base  (BNCC),  into  the &#xD;
pedagogical  practices  of  teachers  in  the  early  years  of  Elementary Education. The  specific &#xD;
objectives  are:  1)  To  categorize  the  forms  of  integration  of  Portuguese  Language  DER &#xD;
developed  by  teachers  in  their  pedagogical  practices  during  the  early  years  of  Elementary &#xD;
Education;  2) To conceptualize  the pedagogical  strategies developed by teachers during the &#xD;
integration  of  DER  in  the  classroom;  3)  To  identify  the  challenges  faced  by  teachers  in &#xD;
integrating DER into classroom activities. The theoretical framework included studies on DER &#xD;
and pedagogical practices, curriculum and digital technologies, Portuguese Language teaching, &#xD;
and  contemporary  discussions  on  DICT  in  education.  The  research,  based  on  a  qualitative &#xD;
approach, is characterized as action research with an interpretative and descriptive focus. Data &#xD;
collection  instruments  included  field  diary  records,  online  questionnaires,  semi-structured &#xD;
interviews, photographs, and videos. Thus, the research was carried  out through three main &#xD;
actions: 1) Teacher training, seeking teachers’ appropriation of DER use and the integration of&#xD;
resources into pedagogical practices; 2) Understanding the forms of integration, pedagogical &#xD;
strategies,  and  challenges  related  to  the  use  of DER;  3) Reflection  on  the  use  of DER  in &#xD;
pedagogical  activities.  Data  analysis  was  conducted  through Content  Analysis  (CA),  from &#xD;
which  the  following Categories  and Subcategories  emerged:  1)  Forms  of DER  Integration, &#xD;
comprising: a) Learning Protagonism; b) Group-Based Learning; c) Reading and Writing with &#xD;
gamification elements; and 2) Pedagogical strategies in the use of DER, including: a) Students’&#xD;
technological appropriation; b) Reuse of DER; and c) Didactic sequences through the phases &#xD;
of  DER.  The  results  made  it  possible  to  understand  how  teachers  integrated  DER  into &#xD;
Portuguese  Language  practices,  highlighting  contributions  to  protagonism  in  learning,  the &#xD;
strengthening  of  reading  and writing,  and  the  appropriation  of  different  discursive  genres &#xD;
through the use of these resources, especially in collaborative and gamified ways. Students’ technological  appropriation  also  proved  to  be  an  integrating  factor,  in  addition  to  the &#xD;
possibilities  offered  by  the  reuse  of  DER  and  their  phases  with  grounded  pedagogical &#xD;
intentionalities. Therefore, this research provides support for studies on the integration of DER &#xD;
into  school  activities  and  contributes  to  the  understanding  of  the  relationships  between &#xD;
pedagogical practices, DICT, and Portuguese Language learning.
Tipo: Tese</summary>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Jogos musicais e expansão da musicalidade na educação infantil: um caminho formativo para professores não especialistas em música</title>
    <link rel="alternate" href="http://repositorio.ufc.br/handle/riufc/86641" />
    <author>
      <name>Santos, Wanderley de Freitas dos</name>
    </author>
    <id>http://repositorio.ufc.br/handle/riufc/86641</id>
    <updated>2026-06-09T13:24:10Z</updated>
    <published>2026-01-01T00:00:00Z</published>
    <summary type="text">Título: Jogos musicais e expansão da musicalidade na educação infantil: um caminho formativo para professores não especialistas em música
Autor(es): Santos, Wanderley de Freitas dos
Abstract: In the present work, we analyze the use of musical games as pedagogical tools for the &#xD;
expansion  of  children's  musicality,  based  on  their  use  by  early  childhood  education &#xD;
teachers, not specialists in music, in the regular classroom. The main objective of the &#xD;
research  was  to  analyze  how  musical  games  were  used  by  these  teachers,  as  a &#xD;
pedagogical  tool  in  the  expansion  of  the  musicality  of  children  in  early  childhood &#xD;
education. As specific objectives, we observed how the assimilation  of  the  proposed &#xD;
musical content through the use of games occurred by the teachers. We also analyzed &#xD;
the suggestions of didactic strategies made by the teachers for the operationalization of &#xD;
the  musical  concepts  worked  with  the  children  of  early  childhood  education.  Our &#xD;
research is based on Vygotsky's historical-cultural theory, based on his works, compared &#xD;
to the works of scholars of his theory, applied in music education. In this study, we used &#xD;
the  methodology  of  collaborative  action-research,  based  on  Thiollent  (1986)  and &#xD;
Bortoni  (2011),  with  two  Early Childhood  Education Centers  (CEI)  as  its  locus,  in &#xD;
Fortaleza during the period from the beginning of the 2nd semester of 2023 to the end &#xD;
of  the  1st  semester  of  2024. Two  teachers  from  Kindergarten  3  and  their  respective &#xD;
students (about 40); and two teachers from Kindergarten 5 and their respective students &#xD;
(about 40). The results obtained in this research indicate that the use of musical games &#xD;
as a pedagogical tool by early childhood education teachers, not specialists in music, &#xD;
favors the expansion of the musicality of children and teachers, thus helping that musical &#xD;
education is present in the school trajectory since early childhood education.
Tipo: Tese</summary>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Mais que um segundo violino: as contribuições de Engels para o tema da formação humana</title>
    <link rel="alternate" href="http://repositorio.ufc.br/handle/riufc/86584" />
    <author>
      <name>Castro, Vanessa Mariano de</name>
    </author>
    <id>http://repositorio.ufc.br/handle/riufc/86584</id>
    <updated>2026-06-11T19:37:39Z</updated>
    <published>2026-01-01T00:00:00Z</published>
    <summary type="text">Título: Mais que um segundo violino: as contribuições de Engels para o tema da formação humana
Autor(es): Castro, Vanessa Mariano de
Abstract: The  research  is  titled  "More Than  a Second Violin: Engels'  Contributions  to  the Theme  of &#xD;
Human  Formation."  It  is  characterized  as  a  bibliographical  study,  guided  by  dialectical &#xD;
materialism,  as  developed  by Engels  and Marx. This  understanding  of material  reality  is  a &#xD;
totality  composed  of  objects  that  precede human  existence  (given  reality),  but  also  contain &#xD;
objects that arise as a result of concrete, transformative, and material human activity (posited &#xD;
reality).  This  aids  the  research,  since  human  formation  can  be  studied  as  an  internal  and &#xD;
external  process  from  a  historical-social  perspective.  It  adopts  the  understanding  of  the &#xD;
category of human formation as a process pertaining to the constitution of human sociability, &#xD;
therefore,  beyond  the  formal  processes  of  institutionalized  spaces.  Its  general  objective  is &#xD;
precisely  to  analyze  Friedrich  Engels'  contributions  to  the  theme  of  human  formation.  In &#xD;
addition, it also intends to analyze Engels' conception of human formation; investigate Engels' &#xD;
formation and his transformation into a revolutionary thinker and activist; and analyze Engels' &#xD;
personal  theoretical  and  practical  contributions  to  the  formation  of  what  is  defined  as &#xD;
Marxism. Based  on  the  study  of Engels' work, we  aim  to  contribute  to  the development  of &#xD;
Marxist pedagogy. In this sense, we were able to approach our research from the perspective &#xD;
of praxis, that is, any and all materially transformative human activity, while also taking into &#xD;
account  that  human  existence  is  recorded  in  history  as  subsequent  to  the  existence  of  the &#xD;
natural  environment  (inorganic  and  organic),  in  order  to  better  understand  the  process  of &#xD;
human formation from Engels' perspective.
Tipo: Tese</summary>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
  </entry>
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