DSpace Communidade:http://repositorio.ufc.br/handle/riufc/223482026-04-22T11:46:48Z2026-04-22T11:46:48ZDa música ao gesto: a musicalidade na experiência teatral e na construção da personagem Sônia.Silva, Lorena Vitorya Benicio Costa dahttp://repositorio.ufc.br/handle/riufc/827372025-09-26T15:43:03Z2025-01-01T00:00:00ZTítulo: Da música ao gesto: a musicalidade na experiência teatral e na construção da personagem Sônia.
Autor(es): Silva, Lorena Vitorya Benicio Costa da
Abstract: This work addresses the intersection between theatric performance and
musicality, with a focus on the adaptation of the piece “Valsa N.° 6”, by Nelson
Rodrigues, made by the present author and graduate student of the Theater course,
Fernanda Lobo. Here I explore my creative journey as interpreter of the character
Sônia, highlighting the importance of music in the process of construction of my
character and the effects that this relationship evokes. This work reflects on the
struggles of acting by yourself on scene and the necessity of research and
experimentation to overcome these difficulties. Through these reflections on music in
the theatric practice, the author reveals that it can not only complement the scene,
but also enrich the actor’s performance, allowing a greater dialogue between body
and emotion. The text emphasizes the relevance of body expression and the search
for new ways of connecting between the dramatic text and acting, promoting a more
profound and affectionate theater experience. The discussion on musicality and the
experiences lived during the process of production of the play “Sônia” show how
rhythmic technique can help the actor to adapt to challenges in the theater process,
highlighting the need for a sensitive and open view of the interaction between body,
voice, rhythm, and text.
Tipo: TCC2025-01-01T00:00:00ZNas bordas da memória: a cartografia de si na construção de dramaturgias em mãos que tecem mapasSoares, Amanda Monteirohttp://repositorio.ufc.br/handle/riufc/818122025-08-05T16:43:24Z2019-01-01T00:00:00ZTítulo: Nas bordas da memória: a cartografia de si na construção de dramaturgias em mãos que tecem mapas
Autor(es): Soares, Amanda Monteiro
Abstract: The work presented here intends to make a path of analysis and reflection on the discoveries
during the creative process of the Experiment of Hands that weave maps, where one wishes to
investigate the memory in the construction of dramaturgies. The writing proposes to be a
cartography built as someone who unveils, through the gaze of the staging, the procedures
that were used in order to materialize the dramaturgies emerged by the performer's memory.
And then, how they were organized giving shape to the aspects and elements that constitute
the staging, these being; body, document, text and space. Based on the materials raised along
the way, as creative process diaries, the research proposes dialogues based on reflections on
Lycia Sánchez's Memory Dramaturgy and her experience with the methodological proposition
of the question-answer in Pina Bausch's dance theater. Access to memories from the study of
access to brands approached by Suely Rolnik, as well as the perspective of memory,
movement and ritual with Rafael Ricieri and Ludmila Castanheira, Jerzy Grotowski, among
other authors and thinkers of creative processes about the use of memory. , narrative and
(auto)biography in contemporary scenic compositions. Thus at the edges of memory, it
investigates memory itself as a territory of multiple narratives.
Tipo: TCC2019-01-01T00:00:00ZUma pequena longa jornadaRodrigues, João de Arruda Câmarahttp://repositorio.ufc.br/handle/riufc/807442025-05-06T15:09:51Z2023-01-01T00:00:00ZTítulo: Uma pequena longa jornada
Autor(es): Rodrigues, João de Arruda Câmara
Abstract: This Final Paper is an autobiographical narrative in which I share influences received
from the Arts and Education and processes of personal and collective transformation
through encounters and interactions with people. The narrative of oneself as a practice
of formation and self-formation allows getting in touch with life experiences in an
affective and careful way, giving new meanings to those experiences. The selfreflective process provides leaving masks behind and getting in touch with experiences
which have been lived and interwoven in the web of life. In this disentanglement,
Drama and Comedy give rise to movements that enhance the potency of Life.
Tipo: TCC2023-01-01T00:00:00ZLouvade seja: em busca de uma divindade bichaSousa, Átila Frank Mourahttp://repositorio.ufc.br/handle/riufc/702202023-01-24T12:25:23Z2022-01-01T00:00:00ZTítulo: Louvade seja: em busca de uma divindade bicha
Autor(es): Sousa, Átila Frank Moura
Tipo: TCC2022-01-01T00:00:00Z