Falar de si e (é) falar do outro: a referência à voz cantada na construção do ethos

Abstract

In this article, we investigate, using the contribution of discourse analysis delineated by Maingueneau, as a reference to sung voices in scenography, via metadiscursive and interdiscursive relations, each of which presents the intertextual relationship that enables to build a self image of the enunciator or it does focus on others. So when the reference is to the singing of the enunciation of the song, is related to the build of the strict ethos. However, when the referent is another song, it's designed ethos, which also legitimizes the image of the singer-songwriter and his way of singing.