Matriosca: proposição-poema para uma voz sinestésica na cena

Abstract

The thought of the poetic power that the actor's voice can have beyond the ordinary raises the proposition of a possible vocal quality that would cross both the spectator and actor at their ecounter in the theatre scene, through its words and sounds in a ravishing way, embodying their subjectivity processes and taking them to a differentiated state of bodily-vocal perception in which senses, memories, bodily states and images interbreed. This state comes to be synesthesia, and this possible vocal quality, the Synesthetic Voice, being investigated is aspects: word, sounds, space, body and encounter between actor and spectator. This research is configured as a sequence of poem-propositions that may, or may not, lead to practical explorations systematizing thoughts and propositions that can lead to practical explorations of the voice in a creation process, aiming to feed its synesthesic power. In this research process, some autors were of great incentive to the thoughts regarding the voice developed in the text, such as: Antonin Artaud, Jerzy Grotowski, Valère Novarina, Janaína Träsel, Suely Rolnik, among others. The scarcity of written works about the actor's voice and its possibilities brings relevance to this work, because it's by investigating the voice as this possible trigger of overwhelming synesthesic states that one comes to understand the magnitude of its strength, which is the purpose of this research.