O confiteor e a beleza redescoberta deJoanaCarolina ou uma escrita retabular

Abstract

One of the achievements of modern narrative was expanding its borders, both to the elements as to the limits established by the realistic and naturalistic aesthetic, to the extent and synthesis. In the dialogue of the greats of the modern canon, the late nineteenth and early twentieth century in the West, it is understood freedom by formal research, by aesthetic autonomy, which led to creations as some emerged in Brazil from the 1940s to 1950, responsible for the poetic experience with language levels rarely achieved. Among these creators, there is Osman Lins (1924-1978), the northeastern who led his origins and myths beyond the Portuguese language, raising his voice among those who changed the expectations of readers to other narrative formats. This exercise is a tribute to the creator of "Altarpiece of Santa Joana Carolina", admired and beloved narrative among those who found another way to explore the dimensions of space and time, even in the present time, that was the ship for a voyage.